Triveni raag is believed to have originated from Purvi thaat. In this raag Rishabh and Dhaivat are used as komal and all remaining swars are used as shudha . Ma is not used in this raag ,so its jati is Shadav –Shadav(6,6). It has chalan wakra.In this raag Re & Pa are Vadi & Samvadi swar .The singing time of this raag is 3 pm to 6 pm (the last hours of the day).
Triveni Raag
How To Read Sargam Notes –
- “.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
- “*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
- “(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
- Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
- “-” is used for Holdong the notes according to the Song.
- Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
- Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
- Swars written [ Ni(k) Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
- { NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .
Description of Raag :-
Aaroh – Sa, Re(k)Sa Ga Pa Re(k)- Sa, Re(k)Pa Dha(k)Pa, Ni Dha(k)Sa* ।
Avaroh- Sa*, Ni Dha(k)Pa, Ga Pa, Ga Re(k)Sa ।
Thaat- Purvi thaat.
Vadi & Samvadi swar – Ga Ni
Varjit swar- Ma
Jati– Shadav –Shadav(6,6).
Singing time -3 pm to 6 pm (the last hours of the day).
Important notes
- · This is an obsolete Raag which is sung from Sri Ang. The association of Re(k)Pa is as important as that of Shri Raag.
- · Both these vowels are considered to be plain-conversational. Neither Shadj-Madhyam or Shadj-Pancham Bhav is established in this. In the absence of Madhayam , Ga-Pa coalesce.
- · There is a need to protect this place from Par Jait Raag. This raag looks good in descending character. This is a Raag of Khayal style.
- · Thumri is not sung in this. This is Sandhiprakash Raag of the evening.
Swaroop –
Sa Sa, Ni Re(k)Ga Re(k)Sa, Ni Re(k)Ga, Ga Pa Ga Re(k)Ga Re(k)Re(k)Pa – Pa Ga Re(k)Ga Re(k)Ga, Ga, Re(k)Sa, Sa Re(k)Re(k)Sa, Ga Pa Ga Re(k)Ga Re(k)Sa । GaPa, Ga Pa Dha(k)Dha(k)Pa, PaNi Re(k)*Ni Dha(k)Pa, Ni Dha(k)Pa, NiDha(k)Pa, Ga Pa Ga Re(k)Sa, Re(k)Re(k)Pa Ga Re(k)Ga Re(k)Sa । Pa Pa Ga Re(k)Ga Pa Sa*, Sa* Re(k)*Sa*, Re(k)*Sa* Re(k)*Sa* Re(k)*Ni Dha(k)Ni Dha(k)Pa, Pa Ni Dha(k)Pa, Pa Dha(k)Pa Re(k)*Ni Dha(k)Ni Dha(k)Pa, Ga Pa Ga Re(k)Re(k)Pa, Ga Re(k)Ga Re(k)Sa ।
Triveni raag question answer –
What are the Aaroh, Avaroh & Pakad of Triveni raag ?
Aaroh – Sa, Re(k)Sa Ga Pa Re(k)- Sa, Re(k)Pa Dha(k)Pa, Ni Dha(k)Sa* ।
Avaroh- Sa*, Ni Dha(k)Pa, Ga Pa, Ga Re(k)Sa ।
What is the Jati of Triveni raag ?
Jati– Shadav –Shadav(6,6).
What is the singing time of Triveni raag ?
Singing time -3 pm to 6 pm (the last hours of the day).
Which swars are used in Triveni raag ?
Aaroh – Sa, Re(k)Sa Ga Pa Re(k)- Sa, Re(k)Pa Dha(k)Pa, Ni Dha(k)Sa* ।
Avaroh- Sa*, Ni Dha(k)Pa, Ga Pa, Ga Re(k)Sa ।
What is the Thaat of Triveni raag ?
Thaat- Purvi thaat.
What are the Vadi- Samvadi Swar of Triveni raag ?
Vadi & Samvadi swar – Ga Ni
What are the Varjit swar of Triveni raag ?
Varjit swar- Ma
What is the introduction of Triveni raag ?
Triveni raag is believed to have originated from Purvi thaat. In this raag Rishabh and Dhaivat are used as komal and all remaining swars are used as shudha . Ma is not used in this raag ,so its jati is Shadav –Shadav(6,6). It has chalan wakra.In this raag Re & Pa are Vadi & Samvadi swar .The singing time of this raag is 3 pm to 6 pm (the last hours of the day).
