Jaitashree raag is believed to have originated from Purvi thaat. Rishabh & Dhaivat are used as komal and Madhayam is used as tiwra. Re and Dha are not used in aaroh and all seven swars are used in avaroh,so its jati is Audav-Sampurn(5,7). In this raag Ga & Ni are Vadi & Samvadi swar .The singing time of this raag is 3 pm to 6 pm (the last hours of the day).
Jaitashree Raag
How To Read Sargam Notes –
- “.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
- “*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
- “(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
- Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
- “-” is used for Holdong the notes according to the Song.
- Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
- Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
- Swars written [ Ni(k) Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
- { NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .
Description of Raag :-
Aaroh – Sa Ga Ma Pa Ni Sa* ।
Avaroh- Sa*, Re(k)*Ni Dha(k)Pa, Ma(k)Ga, Pa Ga Re(k)Sa ।
Pakad– Sa Ga Pa, Dha Ma(t)Pa, Sa* Re(k)*Ni(k) Dha(k) Pa Ma(t) Ga Re(k)Sa ।
Thaat- Purvi thaat.
Vadi & Samvadi swar – Ga Ni
Varjit swar– Re Dha
Jati – Audav-Sampurn(5,7).
Singing -3 pm to 6 pm (the last hours of the day).
Important notes-
(1) It has a beautiful blend of two raags, Jait and Shri. Jait is in its east and Shri Raag is in its north. (1) Ma(t)Pa Ni Sa* and (2) Re(k) Ni Dha(k) Pa are Sri Raag Ga and (1) Ga Pa, and (2) Pa Ga Re(k)Sa are Jaita Raag are.
(2) This is Sandhiprakash Raag in the evening. For Sandhiprakash raag, it is necessary for Rishabh to be komal and Gandhara to be pure, along with this, in the evening Sandhiprakash raag, intense Madhyama predominates and in the morning Sandhiprakash raag, pure Madhyama is predominant. All these things are in this Raag, so it is considered as evening Sandhiprakash Raag.
(3) The association of Ga Pa, Pa Ga and [Re(k)*Ni] is prominent in this Raag. Tell us behind. It has been said that Ga Pa’s Sangati is Jait’s Par and Ren Ni Ra Ga is Shri’s. It has the specialties of both.
(4) This is a Raag of serious nature. It is practiced equally in all the three octaves.
(5) Bada Khayal, Chhota Khayal, Tarana etc. are sung in this. This is not a Raag of Thumari.
(6) Due to the predominance of Jaita Anga in PurvaGa, they sometimes cross MadhyaMa in its ascension and use the combination of Ga Pa again and again in its
Nyas swar- Ga, Pa,
Similar raag- Purvanga in Jait and in Uttara Ga Shri.
Jaitashree raag question answer –
What are the Aaroh, Avaroh & Pakad of Jaitashree raag ?
Aaroh – Sa Ga Ma Pa Ni Sa* ।
Avaroh- Sa*, Re(k)*Ni Dha(k)Pa, Ma(k)Ga, Pa Ga Re(k)Sa ।
Pakad– Sa Ga Pa, Dha Ma(t)Pa, Sa* Re(k)*Ni(k) Dha(k) Pa Ma(t) Ga Re(k)Sa ।
What is the Jati of Jaitashree raag ?
Jati – Audav-Sampurn(5,7).
What is the singing time of Jaitashree raag ?
Singing -3 pm to 6 pm (the last hours of the day).
Which swars are used in Jaitashree raag ?
Aaroh – Sa Ga Ma Pa Ni Sa* ।
Avaroh- Sa*, Re(k)*Ni Dha(k)Pa, Ma(k)Ga, Pa Ga Re(k)Sa ।
Pakad– Sa Ga Pa, Dha Ma(t)Pa, Sa* Re(k)*Ni(k) Dha(k) Pa Ma(t) Ga Re(k)Sa ।
What is the Thaat of Jaitashree raag ?
Thaat- Purvi thaat.
What are the Vadi- Samvadi Swar of Jaitashree raag ?
Vadi & Samvadi swar – Ga Ni
What are the Varjit swar of Jaitashree raag ?
Varjit swar– Re Dha
What is the introduction of Jaitashree raag ?
Jaitashree raag is believed to have originated from Purvi thaat. Rishabh & Dhaivat are used as komal and Madhayam is used as tiwra. Re and Dha are not used in aaroh and all seven swars are used in avaroh,so its jati is Audav-Sampurn(5,7). In this raag Ga & Ni are Vadi & Samvadi swar .The singing time of this raag is 3 pm to 6 pm (the last hours of the day).
