Suddha Sarang Raag Bandish 16 Matras Allap Taan Music Notes In English

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Suddha Sarang raag is believed to have originated from Kalyan thaat. Ga is not used in this raag and Dha is not used in avaroh only ,so its jati is Audav-Shadav(5,7). In this raag Re & Pa are Vadi & Samvadi swar . Both Madhyam are used in this raag and all remaining swars used as shudha. The singing time of this raag is 9 am to 12 pm(the second part of the day).

Suddha Sarang Raag

How To Read Sargam Notes –

  • “.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
  • “*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
  • “(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
  • Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
  • “-” is used for Holdong the notes according to the Song.
  • Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
  • Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
  • Swars written [ Ni(k)  Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
  • { NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .

Description of Raag :-

Aaroh– .Ni Sa, MaRe , Ma(t)Pa, Dha Pa, Ni Sa*।

Avaroh – Sa*Ni, Dha Pa, Ma(k) Pa, [Ma Re], .Ni Sa ।

Pakad- Ma Re Ma(t) Pa, Ma Re, Sa, .Ni .Dha Sa .Ni Re Sa ।

Thaat –Kalyan thaat

Varjit swar– Ga is not used in this raag and Dha is not used in avaroh only .

Vadi & Samvadi swar – Re Pa

Jati– Audav-Shadav(5,7).

Singing time -9 am to 12 pm(the second part of the day).

Important notes

• It is clear from the name itself that it is a type of sarong. Bhatkhande ji, King Nawab Ali and his followers don’t put a komal foot in its aaroh and avaroh and the scholars who do, are very few in the avaroh.

• Sharp is used in its ascension and pure m is used in its descent. Sometimes both mediums are used together like – Re Ma(t) Ma Re Sa.Ni.

• In Aaroh, Rishabh takes a particle of pure medium and goes to intense medium. See Aaroh for example.

• It is a raga of serious nature. Its trend is especially in Mandra and Madhya Saptaks.

• In the descent always comes from Madhyam to Rishabh on Meend like – Re Ma (t) Pa Ma Re, .Ni Sa.

• In ancient times, Sarang was considered to be Shudha Sarang, but nowadays it is understood to be Vrindavani Sarang from Sarang.

Nyas ke swar- Re, Pa and Ni ।

Similar raag – Shyam Kalyan।

Shyama Kalyan and Shuddha Sarang have a lot in common. Uttarang is almost one of both. The use of Gandhara and Kamodanga in the Purvanga of Shyama Kalyana separates both the ragas from each other. As-

Shuddha Sarang – Re Ma(t) Pa, Dha Pa Ma(t) Pa, Ma Re, .Ni Sa

Shyama Kalyan – Re Ma(t) Pa, Dha Pa Ma(t) Pa, ग Ma Pa ग Ma Re, Sa। )

Suddha Sarang raag  question answer –

What are the Aaroh, Avaroh & Pakad of Suddha Sarang raag ?

Aaroh– .Ni Sa, MaRe , Ma(t)Pa, Dha Pa, Ni Sa*।
Avaroh – Sa*Ni, Dha Pa, Ma(k) Pa, [Ma Re], .Ni Sa ।
Pakad- Ma Re Ma(t) Pa, Ma Re, Sa, .Ni .Dha Sa .Ni Re Sa ।

What is the Jati of Suddha Sarang raag ?

Jati– Audav-Shadav(5,7).

What is the singing time of Suddha Sarang raag ?

Singing time -9 am to 12 pm(the second part of the day).

Which swars are used in Suddha Sarang raag ?

Aaroh– .Ni Sa, MaRe , Ma(t)Pa, Dha Pa, Ni Sa*।
Avaroh – Sa*Ni, Dha Pa, Ma(k) Pa, [Ma Re], .Ni Sa ।
Pakad- Ma Re Ma(t) Pa, Ma Re, Sa, .Ni .Dha Sa .Ni Re Sa ।

What is the Thaat of Suddha Sarang raag ?

Thaat -Kalyan thaat

What are the Vadi- Samvadi Swar of Suddha Sarang raag  ?

Vadi & Samvadi swar – Re Pa

What are the Varjit swar of Suddha Sarang raag  ?

Varjit swar– Ga is not used in this raag and Dha is not used in avaroh only .

What is the introduction of Suddha Sarang raag ?

Suddha Sarang raag is believed to have originated from Kalyan thaat. Ga is not used in this raag and Dha is not used in avaroh only ,so its jati is Audav-Shadav(5,7). In this raag Re & Pa are Vadi & Samvadi swar . Both Madhyam are used in this raag and all remaining swars used as shudha. The singing time of this raag is 9 am to 12 pm(the second part of the day).