Rabindra Nritya Bhaskar Final Syllabus In English Pracheen Kala Kendra

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Rabindra Nritya Bhaskar Final Syllabus In English

Rabindra Nritya

Exam Marks

Total Marks: 400

Theory– 200

First Paper – 100

Second Paper – 100

Practical -125

Stage performance :25

Theory

First Paper

(1) The past, present and future of Rabindra Nritya.

(2). Criticism on the following topics –

  • Current dance world and Rabindra Nath.
  • Painter Rabindra Nath.
  • Baul Rabindra Nath.
  • Rabindra Nath and his compositions Taal.
  • Rabindranath’s influence on dance and music in the post-Rabindranath yug.
  • Influence of Vedagan in Rabindra Sangeet.

(3).Speciality of musical instrument (Tanpura).

(4).Definition of Mandal, its importance in dance and its relation with Ras Bhav.

(5).Rabindranath and Shantiniketan

(6). Describe the works of spring by describing the seasons written by Rabindra Nath.

(7).Description of mudra used in Rabindra dance.

(8). Ability to write essay related to dance.

Second Paper

(1). Rain and Basant in Rabindra Sangeet.

(2).Rabindra Nritya Shiksha Gitanjali requires high dance.

(3). Aadhunik audience and dance or Rabindra Nrityanataya.

(4). The underlying meaning of Gitanjali.

(5).Rabindranath and his role in the Swadhinata Aandolan.

(6).The influence of Lalan Fakir in the expansion of Baul music in Rabindra Nath’s poet Hriday.

(7). Meaning of one of the songs of Pooja, Prakrti, Prem, Swadesh the curriculum.

(8).Comparative study of taals and Hindustani taals composed by Rabindra Nath.

(9). Criticism of dance which had a special place on the basis of craft of Puran yug.

(10). Influence of Vaishnav Sahitya in Gitanjali, Gitali and Gitmalaya.

(11). Explanation of Karan according to Natyashastra.

(12). What is understood by Rabindra nritya paddhati? Explain the autocracy of Rabindra.

(13). Ritual music of Rabindra Nath.

(14). Practice of writing all the taals prescribed in the syllabus in different laykari.

Practical

(1).Dancing with the following Rabindra Sangeet

  • Pooja-(a)Hirday nandan bane

          (b)Mala haate khashe pada

          (c)Charan dhwani shuni tav naath

         (d)Devadidev Mahadev .

  • Prem- (a)Ki halo aamar bujhi va sathi

          (b)Tumi rave nirave hirdaye mam

         (c)Aamar man mane na din rajani

          (d)Deep nibhe gechhe mam

  • Prakrti – (a) Vishv veena rave

              (b)Aakash bhara surya tara

              (c)Unnal dhara badal jhare

            (d)Aaj khela bhangar khela

  • Bhanusingh ki padawali –(a)Gahan kusum kunj majhe   

                                    (b)Baja ore mohan banshi  

  • Videshi Sur- (a)Kali kali balre aaj

                  (b)Sakali phushalo svapan pray

(2). Two dances with different types of Rabindra Sangeet in one sur.

(3). Dance of the Prtham dasyu character of ‘Balmiki Pratibha’ Geeti Natya.

(4).Nayika of Chitraganda, Chandalika, Shyama Nritya Nataya – dance of the characters.

Stage Performance:-

(1) It is mandatory for the dance candidate to give a stage performance of 35 minutes brilliantly and proficiently.

Note- The syllabus of the previous years will be combined.