Hameer Raag is believed to have originated from Kalyan thaat. In this raag both Madhayam are used and all the swars are used as shudha. Its jati is Sampurn -Sampurn(7,7). In this raag Dha & Ga are Vadi & Samvadi swar .The singing time of this raag is 6 pm to 9 pm (the first part of the night).
Hameer Raag
How To Read Sargam Notes –
- “.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
- “*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
- “(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
- Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
- “-” is used for Holdong the notes according to the Song.
- Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
- Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
- Swars written [ Ni(k) Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
- { NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .
Description of raag Hameer:-
Aaroh- Sa Re Sa, Ga Ma Pa Ma(t) Pa, Ga Ma Dha – Ni Dha Sa*.
Avaroh- Sa* Ni Dha Pa, Ma(t) Pa Dha Pa, Ga Ma Re Sa.
Pakad- Sa*Re Sa, Ga Ma NiDha.
Thaat- Kalyan thaat
Vadi-Samvadi swar- Dha and Ga.
Jati- Sampurn -Sampurn(7,7).
Singing time – 6 pm to 9 pm (the first part of the night).
Important notes:-
1.Twira Ma are less used with Pancham in aaroh only and shudha Ma are used in both aaroh and avaroh. As Ma Pa or Ma Pa Dha Pa, Ga Ma Re Sa. Twira Ma can be used in Same way in Kedar, kamod and Hameer raag.
2.Mostly curve Ni are used in aaroh. As Ni Dha Sa*. Sometimes flat Ni are used. Gandhar swar is curve in avaroh. As – Ga Ma Re Sa.
3.Sometimes komal Ni are used with Dhaivat in aaroh to increase fairness of raag generated from Kalyan Thaat. As Hameer, Kedar and Kamod.
4.While going from the Ma or Ga to higher octave Pancham are left in aaroh. As Sa Re Sa, Ga Ma Dha, Ni Dha Sa*.
5.Mostly curve Re are used in Aaroh and straight forward Sa to Gandhar. As Sa Re Sa Ga Ma Dha.
6.The personal specialty of this raag is to look forward to Nishad on Dhaivat. As Ga Ma NiDha, Ni Dha Sa*.
Swar of nyas- Sa, Pa and Dha.
Similar Raag- Kamod and Kedar.
Important swar combination:-
1. Sa Re Sa, Ga Ma NiDha.
2. Ga Ma Re, Ga Ma NiDha – Ma(t) Pa.
3. Sa* Ni Dha – Ma(t) Pa.
4. Ga Ma Pa, Ga Ma Re Sa.
5. .Pa Pa Sa*, Re* Sa* Dha Pa.
Hameer Raag question answer –
What are the Aaroh, Avaroh & Pakad of Hameer Raag ?
Aaroh- Sa Re Sa, Ga Ma Pa Ma(t) Pa, Ga Ma Dha – Ni Dha Sa*.
Avaroh- Sa* Ni Dha Pa, Ma(t) Pa Dha Pa, Ga Ma Re Sa.
Pakad- Sa*Re Sa, Ga Ma NiDha.
What is the Jati of Hameer Raag ?
Jati- Sampurn -Sampurn(7,7).
What is the singing time of Hameer Raag ?
Singing time – 6 pm to 9 pm (the first part of the night).
Which swars are used in Hameer Raag ?
Aaroh- Sa Re Sa, Ga Ma Pa Ma(t) Pa, Ga Ma Dha – Ni Dha Sa*.
Avaroh- Sa* Ni Dha Pa, Ma(t) Pa Dha Pa, Ga Ma Re Sa
Pakad- Sa*Re Sa, Ga Ma NiDha.
What is the Thaat of Hameer Raag ?
Thaat- Kalyan thaat
What are the Vadi- Samvadi Swar of Hameer Raag ?
Vadi-Samvadi swar- Dha and Ga.
What is the introduction of Hameer Raag?
Hameer Raag is believed to have originated from Kalyan thaat. In this raag both Madhayam are used and all the swars are used as shudha. Its jati is Sampurn -Sampurn(7,7). In this raag Dha & Ga are Vadi & Samvadi swar .The singing time of this raag is 6 pm to 9 pm (the first part of the night).
