Vocal Senior Diploma 5th Year Syllabus In English Prayag Sangeet Samiti

Vocal Senior Diploma 5th Year Syllabus In English

Vocal

Exam Marks

Total Marks- 100 

Theory-25

Practical-75     

Theory

(1).Complete detailed study of previous year’s syllabus.

(2).Pracheen types of Anibaddh gan– Ragalap, Rupkalap, Alaptigan, Swasthan-Niyam, Bidari, Raag Lakshan ,Jati gayan and Characteristics, Sanyas-Vinyas, Gayaki, Nayaki, Gandharv Geet (Deshi-Margi) Curriculum Alpatva-Bahutva and Showing Tirobhav-Aavirbhav.

(3).In relation to Shruti-swar vibhajan, the whole history has been divided into three main periods (pracheen, Madhya, aadhunik), the time and difference in the books of the authors of these three periods and the opinions mentioned in them, Shadaj-Pancham Bhav and aandolan number and length of strings If the number of aandolan of a swar is given, then find out the length of the swar (when both the objects of Shadaj are obtained). Similarly, if the length of the string is given, then the aandolan -number is calculated, comparing the places of shudha and vikrit swar of madhyakalin musican and aadhunik musican with the help of the lengths of their strings.

(4).Creating sargam of simple taals of different raags by mind.

(5).Detailed study of raags of this year and matching of raags similar to them, showing Alpatva-Bahutva, Tirobhav-Aavirbhav in raags.

(6).Complete introduction of taals of this year and showing their Theka in taal-lipi in different laykari . Determining the place of starting Dugun, Tigun and Chaugun etc. of a song or lay by mathematics.

 (7).Writing song and raag bandish dugun, tigun and chaugun laykari in swarlipi.

(8). Essay –

• Raag and Ras
• Sangeet aur Lalit kala
• Yavan sanskrti ka hindustani sangeet par prabhav
• Sangeet aur uska bhavishya
• Sangeet mein vadyon ka sthan
• Lok sangeet   

(9).Practice of writing songs and taal in any swarlipi.

(10).Life introduction and musical work of –

• Srinivas
• Ramamatya
• Hriday Narayan Dev
• Mohammad Raza
• Sadarang-Adarang.

Practical

(1).Show some difficult rhythms by tali. recitation 3 matra in two matra and 4 matra in 3 etc.

(2).Special practice of Alap Nom-Tom.

(3).Raag –

• Puriya
• Gaur Malhar
• Chhayanat
• Shree
• Hindol
• Gaur Sarang
• Vibhas
• Darbari Kanada
• Todi
• Adana

 In these raags 1-1 Vilambit and 1-1 Drut khayal with completely beautiful singing. One Dhamar in any two raags and one Dhrupad in any two raags, in which it is necessary to Dugun,Tigun,Chaugun and Aad.

(4).Subtle study of raags, Practical use of raags’ Tirobhav-Aavirbhav.

(5).Taal – Complete knowledge of Pancham Sawari, Gajjhampa, Aadha, Matt and Punjabi Taals and recitation of them in Thah, Dugun and Chaugun laykari.

(6).Simple practice of playing Teentaal, Jhaptaal, Chartaal, Ektaal, Keharwa and Dadra taals on the tabla.