Devshree raag is believed to have originated from Kalyan thaat. In this raag Ni(k) is used as komal swar and Madhyam is used as tiwra. Gandhara and Dhaivat are not used and all remaining swars are used as shudha in this raag.Its jati is Audav- Audav(5,5). In this raag Pa & Sa are Vadi & Samvadi swar .The singing time of this raag is 9 pm to 12 am(the second part of the night).
Devshree Raag
How To Read Sargam Notes –
- “.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
- “*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
- “(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
- Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
- “-” is used for Holdong the notes according to the Song.
- Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
- Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
- Swars written [ Ni(k) Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
- { NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .
Description of Raag :-
Aaroh – Sa Re Ma(t)Pa Ni(k)Sa*
Avaroh – Sa* Ni(k) Pa Ma(t)Re Sa-
Vadi & Samvadi swar – Pa Re
Varjit swar -Ga Dha
Jati- Audav- Audav(5,5)
Thaat –Kalyan thaat
Singing time -9 pm to 12 am(the second part of the night).
Important Notes-
- It is a relatively new, melodious and obsolete raga. There is no curvature in this raag. It can be sung freely in all the three octaves.
- If Madhyam intense is used instead of Madhyam shudha in the notes of Raag Megh Malhar, then this attractive melody full of sweetness comes to the fore. These accompaniments represent the form of Raag Devashree.
Swar Sangatiya-
Sa Re Ma(t)Re – Sa ,Ni(k) Sa Re Sa – Re Ma(t)Pa – Ma(t)Pa Ni(k) Pa – Ma(t)Pa Ni(k) Ma(t)Pa – Re Ma(t)Pa – Ma(t)Pa Ni(k) Ni(k) Sa* – Ni(k) Sa* Re* Sa*– Re*Ni(k) Sa* – Ni(k) Pa Ma(t)Pa – Ma(t)Re Sa Re – , Ni(k) Sa – ,Pa , Ni(k) Sa –
Bhairagi raag question answer –
What are the Aaroh, Avaroh & Pakad of Devshree raag ?
Aaroh – Sa Re Ma(t)Pa Ni(k)Sa*
Avaroh – Sa* Ni(k) Pa Ma(t)Re Sa-
What is the Jati of Devshree raag ?
Jati- Audav- Audav(5,5)
What is the singing time of Devshree raag ?
Singing time -9 pm to 12 am(the second part of the night).
Which notes are used in Devshree raag ?
Aaroh – Sa Re Ma(t)Pa Ni(k)Sa*
Avaroh – Sa* Ni(k) Pa Ma(t)Re Sa-
What is the Thaat of Devshree raag ?
Thaat -Kalyan thaat
What are the Vadi- Samvadi Swar of Devshree raag?
Vadi & Samvadi swar – Pa Re
What are the Varjit swar of Devshree raag?
Varjit swar -Ga Dha
What is the introduction of Devshree raag?
Devshree raag is believed to have originated from Kalyan thaat. In this raag Ni(k) is used as komal swar and Madhyam is used as tiwra. Gandhara and Dhaivat are not used and all remaining swars are used as shudha in this raag.Its jati is Audav- Audav(5,5). In this raag Pa & Sa are Vadi & Samvadi swar .The singing time of this raag is 9 pm to 12 am(the second part of the night).
