History Of Bansuri Musical Instrument In English

History of Bansuri Musical Instrument

• Bansuri is an ancient Bansuri originating from the Indian subcontinent. It is an aerophone made of materials such as bamboo and metal used in Hindustani classical music.
• It is known as Nadi and Tunava in Rigveda and other Vedic texts of Hinduism. Its importance and operations are discussed in the Sanskrit text Natya Shastra.
• The bansuri is traditionally made from a hollow shaft of bamboo with six or seven finger holes. Some modern designs come in ivory, fiberglass and various metals.
• The six-holed instrument covers two and a half octaves of music. TheBansuri is typically between 30 centimeters (12 in) and 75 centimeters (30 in) in length and about the thickness of a human thumb.
• One end is closed, and a few centimeters from the closed end is its blow hole. LongerBansuris have deeper tones and lower pitches.
• It is closely related to the love story of Krishna and Radha. TheBansuri is revered as a divine instrument of Lord Krishna and is often associated with Krishna’s Rasa Leela dance.
• These legends sometimes use alternative names for the instrument, such as murli. However, the instrument is also common in other traditions such as Shaivism.

Etymology And Nomenclature

• The word bansuri is derived from bans (bamboo) [bamboo] + sur (sur) [raag]. A phonetically similar name for the same instrument in early medieval texts is the Sanskrit word vanshi, derived from the root vansha meaning bamboo. In these medieval texts aBansuri player is called a vanshika.
• Other regional names ofBansuri-style, six to eight play holes, bambooBansuri in India, bansi, alu, kolakkuzhal, kulal, kulalu, kukhal, lingbuphenium, murli, murli, nadi, naar, odakkuzhal, pava, pulankuzhal, pillana Groovy included.

History

• According to Ardle Powell, theBansuri is a simple musical instrument found in many ancient cultures.
• It is likely, says Powell, that the modern IndianBansuri has not changed much since the early medieval period. However, there is evidence of aBansuri of a somewhat different design in ancient China (dizzi), which Powell, citing Kurt Sachs’s The History of Musical Instruments, suggests may not have originated in China, but a more ancient Evolved from the Central AsianBansuri design.
• TheBansuri is discussed as an important musical instrument in the Natya Shastra (~200 BCE to 200 CE), the classic Sanskrit text on music and the performing arts. [3] Several Hindu texts on music and singing mention theBansuri (venu or vansh) as a complement to the human voice and the veena (vani-veena-venu).
• However in ancient times theBansuri was not called Bansuri, and is referred to by other names like Nadi, Tunava in the Rigveda (1500–1200 BCE) and other Vedic texts of Hinduism, or as Venu in later Vedic texts .

Construction

• A bansuri is traditionally made from a special type of bamboo, which naturally grows to a longer length between its nodes. They grow abundantly in the foothills of the Himalayas up to about 11,000 feet with high rainfall.
• They are found especially in the northeastern states of India (Assam, Arunachal Pradesh, Meghalaya, Manipur, Mizoram, Nagaland, Sikkim, near Tripura) and the Western Ghats (near Kerala), where many species of bamboo grow up to 40 cm ( grow with an internal length of more than 16 inches).
• Harvested bamboo is cut to a desired diameter, dried and treated with natural oils and resins to strengthen it.
• Once fabricated, craftsmen check smoothness and straightness and measure the dry hollow tube. They mark the exact positions for the holes, then use skewers of heated metal rods of various diameters to burn in the holes.
• Drilling and other methods of making holes are avoided because it is believed that they damage fiber orientation and affect the quality of the splicing consonance.
• The burn holes are then finished by sanding, one end is plugged, theBansuri is played at various places to stabilize its shape and size over time and the unit is used for its musical performance. is tested.
• The distance of a finger-hole from the mouth-hole, and the diameter of the finger-hole, controls the note it plays.
• There are two types ofBansuris: transverse and fipple. The fippleBansuri is usually played in folk music and is held to the lips like a tin whistle. Because transverse variation enables better control, variations and embellishments, it is preferred in Indian classical music.

Playing –

• A bansuri is usually held horizontally by theBansuri player with theBansuri facing downwards.
• The index, middle and ring fingers of the right hand cover the outer fingers, while the same fingers of the left hand cover the rest. The bansuri is supported by the thumb and little finger, while the air hole is located near the lips and air is blown through it at different speeds to reach the desired octave.
• For a seven-holeBansuri, the little finger (pinky) of the right hand is usually used.
• Like other air-reed instruments, theBansuri’s sound is produced by resonance of the air column inside it. The length of this column varies by closing or leaving open the number of Individual Holes.

Bansuri Player

• Hariprasad Chaurasia
• Ronu Mazumdar
• Gene Baxtresser
• Pandit Raghunath Seth
• Bobby Humphrey
• James Galway
• Bapu Padmanabh
• Pravin Godkhindi

Bansuri Question Answer-