Introduction And History Of Tribhanga In English

Introduction And History Of Tribhanga In English

Tribhanga

• Tribhanga or Tribhanga is a standing body position or stance used in traditional Indian arts and Indian classical dance forms such as Odissi, where the body bends at the knees in one direction, at the hips in another and then at the shoulders in the other direction and neck.
• Ardhanarishvara, the composite deity of Shiva and his consort Parvati. Like other images of this form, the Tribhanga is emphasized by gender differences at the hips and shoulders.
• The mudra goes back at least 2,000 years in Indian art, and has been highly characteristic of the period, “repeated again and again in countless examples of Indian sculpture and painting”.
• The word is derived from Sanskrit, where bhanga (or bhanga) is the word for an attitude or position, with tri meaning “triple”, thereby creating the “triple-bend position”.
• Other postures described in older texts on dance were Samabhanga for “the figure in the same posture”, whether standing, sitting or lying down, and Abhanga for a slight bend in one leg to give the figure a slight curve.
• Other more complex positions in the dance are atibhanga; The figures of the famous Shiva Nataraja are examples of this.

History

• The history of Rukh is often said to reach up to the famous Dancing Girl of Mohenjo-daro, circa c.
• 2300-1750 BC, although it does not exactly show the later general form. It may well be derived from dance before art
• But the rest of the record in early art is more clear. The early versions are almost all in female figures, but it gradually spread to men.
• During this period it became very common in both Buddhist and Hindu art (as well as Jain art).
• The most famous ancient Indian painting, the large figure of Padmapani in Cave 1 at the Ajanta Caves (c. 478), has a posture common to bodhisattva figures.
• From 13th century this trend starts decreasing. The Buddha always has a slight Tribhanga posture and the Jain Tirthankaras are almost never depicted in the posture.

• In the Buddhist and Hindu art of East Asia and South-East Asia, the stance is typical of recent Indian influence in the early period, and the figures, especially the heads, then gradually recover with the passage of time.
• This trend in all areas may not actually apply to the figures shown as dancing.