Reva raag is believed to have originated from Purvi thaat. In this raag Rishabh and Dhaivat are used as shudha . Ma and Ni are not used in this raag ,so its jati is Audav- Audav(5,5). In this raag Re & Dha are Vadi & Samvadi swar .The singing time of this raag is evening 6 pm to 9 pm .
Reva Raag
How To Read Sargam Notes –
- “.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
- “*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
- “(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
- Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
- “-” is used for Holdong the notes according to the Song.
- Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
- Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
- Swars written [ Ni(k) Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
- { NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .
Description of Raag :-
Aaroh- Sa Re(k)Ga Pa Dha(k)Sa* ।
Avaroh- Sa* Dha(k)Pa Ga Re(k) Sa ।
Thaat- Purvi thaat
Vadi & Samvadi swar – Re Dha
Varjit swar– Ma Ni
Jati– Audav- Audav(5,5).
Singing time -Evening 6 pm to 9 pm .
Important notes-
- This Raag is very close to Vibhas. Exactly these notes are used in Raag Vibhas. The only difference is that komal Dhaivat is considered to be a conversationalist and komal Rishabh is considered to be a conversationalist.
- The kind of difference that exists between Bhupali and Deshkar, exactly the same difference exists between Bibhas and Rewa. Rewa PurvanGa is the predominant Raag and Vibhas is the UttaranGa predominant.
- Some musican have also considered Vaadi Ga and Dha to be conversational in this. There is no sense of dialogue in these voices, but this type is also recognized.
Swaroop –
Sa Re(k) Re(k) Sa, Dha(k)Pa, .Dha(k).Pa, Dha(k)Re(k) Re(k) Sa, Ga Re(k)Sa । Sa Re(k)Ga Re(k)Ga Pa Dha(k), Pa Dha(k)Pa Ga Re(k), Re(k) Dha(k)Pa Ga Re(k) Re(k) Ga Re(k) Re(k) Sa, .Dha(k).Pa Sa । Ga Pa Dha(k).Dha(k).Pa Sa*, Re(k)*Sa*, Ga* Re(k)*Sa*, Dha(k)Dha(k)Pa, Ga Re(k), Sa Re(k) Re(k) Ga Ga Pa Dha(k)Pa Ga Re(k) Ga Re(k) Re(k) Sa ।
Reva Raag question answer –
What are the Aaroh, Avaroh & Pakad of Reva Raag ?
Aaroh- Sa Re(k)Ga Pa Dha(k)Sa* ।
Avaroh- Sa* Dha(k)Pa Ga Re(k) Sa ।
What is the Jati of Reva Raag?
Jati– Audav- Audav(5,5).
What is the singing time of Reva Raag?
Singing time -Evening 6 pm to 9 pm .
Which swars are used in Reva Raag?
Aaroh- Sa Re(k)Ga Pa Dha(k)Sa* ।
Avaroh- Sa* Dha(k)Pa Ga Re(k) Sa ।
What is the Thaat of Puriya Kalyan raag ?
Thaat- Purvi thaat
What are the Vadi- Samvadi Swar of Reva Raag?
Vadi & Samvadi swar – Re Dha
What is the introduction of Reva Raag
Reva raag is believed to have originated from Purvi thaat. In this raag Rishabh and Dhaivat are used as shudha . Ma and Ni are not used in this raag ,so its jati is Audav- Audav(5,5). In this raag Re & Dha are Vadi & Samvadi swar .The singing time of this raag is evening 6 pm to 9 pm .
