Pancham Raag Bandish 16 Matras Allap Taan Music Notes In Hindi

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Pancham Raag is believed to have originated from Marwa thaat. Re is used as komal swar and both Madhyam are used in this raag. All remaining swars are used as shudha. Its jati is Sampurn -Sampurn(7,7). In this raag Shudha Ma & Sa are Vadi & Samvadi swar .The singing time of this raag is 3 am to 6 am(the last hour of the night).

Pancham Raag

How To Read Sargam Notes –

  • “.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
  • “*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
  • “(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
  • Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
  • “-” is used for Holdong the notes according to the Song.
  • Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
  • Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
  • Swars written [ Ni(k)  Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
  • { NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .

Description of Raag :-

Aaroh- Sa Re(k)Ga Ma Pa Ga Ma(t) Dha Sa*Ni Sa*।

Avaroh- Sa*Ni Re(k)* Ni Dha Pa Ma(t)Dha Ma(k)Ga, Pa GaRe(k)*Sa ।

Thaat- Marwa thaat

Vadi & Samvadi swar – Ma Sa

Jati– Sampurn -Sampurn(7,7).

Singing time -3 am to 6 am(the last hour of the night).

Important notes –

  • The fifth of the entire caste has been described above. Pancham Varjya Shadav jati’s Pancham is also in publicity.
  • Most of the musican are in favor of the entire jati. They say that how is that fifth raga in which fifth is forbidden? Such recognition is of both types. The only difference between the two types is the fifth note and nothing else.
  • This is Uttarang Pradhan Raga. Its singing-time is the time of evening-light in the morning. It is sung in Raag Lalit Ang.
  • Using both mediums together gives the feeling of Lalitang. Hindolong comes in Shadav type. The association of Sa-M, Dha-M, Dha-Sa and Pa-Ga is shown again and again.

Swaroop-

Sa Ma, Ga Pa, Ga Re(k)*Sa, Ni Re(k)Ga – Ma, Pa,Dha Ma(t) Ma Ga, Pa Ga Re(k)Sa। Ga, Ma(t) Ga Re(k) Sa, Ma, Ma Ga, Pa, Ma(t) Dha Ma(t)  Dha Ma(t)  Ma, Ma(t) Ga, Ma(t) Dha Sa*Re(k)* Sa* Ni Re(k)* Sa* Re(k)* Ni Dha Dha Sa*Ni Re(k)* Ni Dha Ma(t)  Ma Ga, Pa, Ma(t)  Dha Ma(t)  Ma, Ga Pa Ga Re(k)*Sa, Sa Ma Ma Ga Ma(t) Ga Re(k)Sa ।

Pancham Raag question answer –

What are the Aaroh, Avaroh & Pakad of Pancham Raag ?

Aaroh- Sa Re(k)Ga Ma Pa Ga Ma(t) Dha Sa*Ni Sa*।
Avaroh- Sa*Ni Re(k)* Ni Dha Pa Ma(t)Dha Ma(k)Ga, Pa GaRe(k)*Sa ।

What is the Jati of Pancham Raag?

Jati– Sampurn -Sampurn(7,7).


What is the singing time of Pancham Raag  ?

Singing time -3 am to 6 am(the last hour of the night).

Which swars are used in Pancham Raag  ?

Aaroh- Sa Re(k)Ga Ma Pa Ga Ma(t) Dha Sa*Ni Sa*।
Avaroh- Sa*Ni Re(k)* Ni Dha Pa Ma(t)Dha Ma(k)Ga, Pa GaRe(k)*Sa ।


What is the Thaat of Pancham Raag  ?

Thaat- Marwa thaat

What are the Vadi- Samvadi Swar of Pancham Raag  ?

Vadi & Samvadi swar – Ma Sa

What is the introduction of Pancham Raag?

Pancham Raag is believed to have originated from Marwa thaat. Re is used as komal swar and both Madhyam are used in this raag. All remaining swars are used as shudha. Its jati is Sampurn -Sampurn(7,7). In this raag Shudha Ma & Sa are Vadi & Samvadi swar .The singing time of this raag is 3 am to 6 am(the last hour of the night).