Raag Komal Rishabh Asawari is believed to have originated from Bhairavi thaat. In this raag Rishabh, Gandhar, Dhaivat and Nishad are used as komal swar and all remaining swars are used as shudha. Gandhar & Nishad are not used in aaroh and Pancham is not used in avaroh. Its jati is Audav -Shadav(5,6). In this raag Dha & Re are Vadi & Samvadi swar .The singing time of this raag is 9 am to 12 pm (the second part of the night).
Komal Rishabh Asawari Raag
How To Read Sargam Notes –
- “.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
- “*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
- “(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
- Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
- “-” is used for Holdong the notes according to the Song.
- Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
- Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
- Swars written [ Ni(k) Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
- { NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .
Description of Raag :-
Aaroh- Sa Re(k)Ma Pa Dha(k)Sa*
Avaroh – Sa* Re(k)*Ni(k)Dha(k)Ma Pa Dha(k)Ma Ga(k)Re(k) Ga(k)Re(k) ,Ni(k),Dha(k)Re(k) Sa-
Vadi & Samvadi swar – Dha & Re
Varjit swar – Gandhar & Nishad are not used in aaroh and Pancham is not used in avaroh .
Jati – Audav -Shadav(5,6).
Thaat- Bhairavi thaat
Singing time -9 am to 12 pm (the second part of the night).
Important Notes-
- This is a very sweet day raag. It is also called Aasvari Todi. This raag is similar to Bilaskhani Todi. Madhyama and Nishad are not used in the Aaroh of Par Raag Bilaskhani Todi while Gandhara and Nishad are not used in Raag Komal-Rishabh Aasavari. In both the raags, there are Pancham is not used in the avaroh. This is the raag of Bhairavi Thaat.
- In the purvanga of this raag, the swaras Sa Re(k) Ga(k)- Ga(k)Re(k) Ga(k)Re(k) Sa sound like raag todi and in the uttarang the aasavari ang is visible.
- Shadj (Sa) is often not used in the descent like – Sa* Re(k)*Ni(k)Dha(k)- Dha(k)Sa* Re(k)*G(k) Re(k)*Ni( k)th(k).
- In this raag there is five Ma nyas swaras, but in the descent it is omitted, as in Sa Re(k) Ma Pa – Pa Dha(k)Pa – Pa Dha(k)Ni(k)Dha(k)Ma Ga(k) Re(k) – Re(k) Ga(k) Re(k) Sa.
- In this raag, Nishad is prohibited in Aroha Par but it is sometimes used as a transliterated swara like – Re(k)*Ni(k)Sa Re(k)*Ga*(k) or Re(k) , Ni( k)Sa Re(k).
- This is a Meend Pradhan Raag. This raag can be sung in all the three octaves.
- The nature of this raag is calm and serious. These vocal accompaniments show the form of Raag Mal-Rishabh Aasavari.
Swar Sangitaya
Sa Re(k) ,Ni(k),Dha(k)- ,Pa ,Dha(k),Ni(k),Dha(k)- ,Ma ,Pa ,Dha(k),Dha(k) Sa – Re(k) Re(k) Ga(k)Re(k) Ga(k)Re(k) ,Ni(k), Dha(k) Sa – Re(k) Ma Ma Pa – Ma Pa Dha(k)Ma – Pa Dha(k) Ni(k) Dha(k) Ma – Ma Ga(k)Re(k) – Ga Re(k) ,Ni(k),Dha(k)Sa – Ma Pa Dha(k)Sa* – Sa* Re(k)*Re(k)*Sa* – Sa* Re(k)*Ga* Re(k)*Ga* Re(k)*Ni(k) Dha(k) Dha(k)Ma Pa – Ma Pa Dha(k)Sa* – Pa Dha(k) Ni(k) Dha(k) Ma – Pa Dha(k) Ma Ga(k) Re(k) – Ga(k)Re(k), Ni(k), Dha(k)Sa –
Komal Rishabh Asawari Raag question answer –
What are the Aaroh, Avaroh & Pakad of Komal Rishabh Asawari Raag ?
Aaroh- Sa Re(k)Ma Pa Dha(k)Sa*
Avaroh – Sa* Re(k)*Ni(k) Dha(k)Ma Pa Dha(k)Ma Ga(k)Re(k) Ga(k) Re(k) ,Ni(k),Dha(k)Re(k) Sa-
What is the Jati of Komal Rishabh Asawari Raag?
Jati – Audav -Shadav(5,6).
What is the singing time of Komal Rishabh Asawari Raag?
Singing time -9 am to 12 pm (the second part of the night).
Which swars are used in Komal Rishabh Asawari Raag?
Aaroh- Sa Re(k)Ma Pa Dha(k)Sa*
Avaroh – Sa* Re(k)*Ni(k)Dha(k)Ma Pa Dha(k)Ma Ga(k)Re(k) Ga(k)Re(k) ,Ni(k),Dha(k)Re(k) Sa-
What is the Thaat of Komal Rishabh Asawari Raag?
Thaat- Bhairavi thaat
What are the Vadi- Samvadi Swar of Komal Rishabh Asawari Raag?
Vadi & Samvadi swar – Dha & Re
What are the Varjit swar of Komal Rishabh Asawari Raag?
Varjit swar – Gandhar & Nishad are not used in aaroh and Pancham is not used in avaroh .
What is the introduction of Komal Rishabh Asawari raag?
Raag Komal Rishabh Asawari is believed to have originated from Bhairavi thaat. In this raag Rishabh, Gandhar, Dhaivat and Nishad are used as komal swar and all remaining swars are used as shudha. Gandhar & Nishad are not used in aaroh and Pancham is not used in avaroh. Its jati is Audav -Shadav(5,6). In this raag Dha & Re are Vadi & Samvadi swar .The singing time of this raag is 9 am to 12 pm (the second part of the night).
