Creative Nritya Bhaskar Final Syllabus In English
Creative Nritya
Total Exam
Exam Marks
Total Marks-400
Theory-100
First Paper-50
Second Paper-50
Practical-125
Stage performance -75
Theory
First Paper
(1).Mutual relation between painting and dance.
(2).Description of costumes and decorations of creation dance.
(3). Description of dance and drama.
(4).Whether the painting and sculpture of Ajanta and Ellora are related to classical dance or not – description.
(5). Whether there is a need for Uchchang dance in the present times or not.
(6).Why are costumes and colors needed in dance? Detailed discussion.
(7). Origin and history of creative dance.
(8) Mutual comparison of creative dance and Rabindra dance.
Second Paper
(1). Use of Ras and Bhav in creative dance.
(2).Influence of South Indian taal on the taal composed by Guru Rabindra.
(3). Knowledge of lok dances of different provinces of India.
(4). Knowledge about solo dance, jugal dance, and group dance and dance drama.
(5). Criticism about audience and creation dance.
(6) Influence of western dance on Indian dance.
Practical
(1).Description of dance form on the following poems :-
a) Poet Guru Rabindra Nath’s – Devotare Gras.
b) Nazrul Islam – Nari
c) Pramendra – Neelkantho
d) Achint Kumar Sengupt – Channchada
E.) Sukanta Bhattacharya ji – Cara Geno aaj.
f) Satyendra Nathdutt – Durerpala
g) Jai Goswami – Meghbalika
h) Subhash Mukhopadhyay – Sangati
i) Sunil Gangopadhyay – Kayo Katha Rakheni
j) Rahul Dev Varman – Mondilanvadhu, Chandogandevarna Geetite
k) Hemant Mukho Padhyay – Ehi chhand ki Aanand, ranar chhote chhe tai jhoom-jhoom.
l) Salil Chowdhary – Sei meo door naya veshidoor oi
e) Mannade – Sara Bachuralegan, kafi house
n) Rahul Dev Varman – Inde reshmi churi, sapno amar hariye geche.
