“.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
“*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
“(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
“-” is used for Holdong the notes according to the Song.
Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
Swars written [ Ni(k) Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
{ NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .

Music Details –

Original scale – G

Ye Shaam Mastani Sargam Notes In English

Sthai –

ye shaam / mastaanee,

.Pa – Sa – – – / Re Sa .Dha .Pa – – –

madahosh / kije jaaye

.Pa – Sa – – – / Sa Re Re Ga – – –

muze dor / koee / khinche,

Ga Ga Ga Pa – – / Pa Dha Pa / MaPa Ma –

teree / oor / liye / jaaye

Ma Ga / GaMa GaRe – – / Pa Pa / GaRe Sa – – –

Stanza-

Door / rahatee hain / too,

Dha – – – / Ma Pa Dha / Pa – – – /

mere paas / aatee nahee

Sa Dha – – / Ma Pa Dha / Pa – – – /

hothhon pe tere,

kabhee pyaas aatee nahee….same as above lines

ayesaa lage / jaisai ke too

Ni Dha Pa Ma – – / Dha Pa Ma Ga Re – –

has ke / jahar / koee piye jaaye

Re Re / Re Ma(t) – / Ma(t) Pa Ma Ma Re – Sa –

baat jab main karu, muze rok letee hain kyon

teree mithhee najar, muze tok detee hain kyo

teree hayaa, teree sharam teree kasam mere hothh siye jaaye

yek ruthhee huyee, takadeer jaise koee

khaamosh ayese hain too, tasaweer jaise koee

tere najar, ban ke jubaan lekin teree paigaam diye jaaye

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Ye Shaam Mastani Sargam Notes In English Kishor Kumar 1971