“.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
“*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
“(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
“-” is used for Holdong the notes according to the Song.
Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
Swars written [ Ni(k) Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
{ NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .

Chand Sifarish Music Details –

Original Scale – D

Vikrit swar – Ga(k) , Dha(k) , Ni(k)

Rhythm – 8 Beats

Video –

Chand Sifarish Harmonium Notes

hmm hmm hmm / hmmm / la la la

Pa Dha(k) Pa / Pa Sa*– / Pa Pa(Ma) – Ma Ma Ma –

hey hey hey / hey / ah ha

Re Ga(k) Re / Re Pa – / Re Sa –

Subhaan allaah / subhaan allah

Pa Ga(k)* Re* Ga(k)* – / Re* Ga(k)* Ma* Ma* –

Subhaan allaah / subhaan allah

Pa Re* Sa* Re* – / Sa* Re* Ga(k)* Ga(k)* –

Subhaan allaah / subhaan allah

Pa Ga(k)* Re* Ga(k)* Re* Ga(k)* Re* Ga(k)* Re* Ga(k)* Re* Ga(k)* – / Re* Ga(k)* Ma* Ma* –

Subhaan allaah / subhaan allah

Pa Re* Sa* Re* – / Sa* Re* Sa* Sa* –

valle valle

Vissile –

Pa Sa* Sa* Ga(k)* Ga(k)* Re* – Sa* – / Re* Sa* Re* Ni(k) Sa* Re* –

Ni(k) Ni(k) Re* Re* Sa*– Ni(k) – / Sa* Ni(k) Sa* Dha(k) Ni(k) Sa*–

Sthai –

Chaand / sifarish / jo / karta / hamari

Pa Dha(k) Pa / PaPa Sa* / Pa / PaDha(k) PaMa / Ma Ma – Ni(k) –

Deta woh / tumko / bata

Re Ga(k) Re / Re Pa – / Re Sa –

Sharm-o-haya pe parde gira ke

karni hain hamko khata……. same as above lines

Zidd hain ab / toh hain / khud ko / mitana

Ni(k) Ni(k) Ni(k) / Ni(k) – Sa* – Re* – / Re* Re* Sa*/ Ni(k) Dha – Dha –

Hona hain / tujhmein / fanaa

Dha(k) Dha(k) Dha(k) / Dha(k) – Sa*– / Sa*Ni –

Chaand sifarish jo karta hamari deta woh tumko bata

Sharm-o-haya pe parde gira ke karni hain hamko khata

Valle valle

Stanza – 1

Teri / adaa bhi / hain / jhonke / wali

Pa Dha(k) / Sa* Sa* – / Pa – / Pa / Dha(k)Pa Dha(k)Pa / Pa – Pa Ma

Chhu ke / gujar / jaane de

Ma Pa / Ga(k) Re – / Ga(k) – Dha(k)Pa –

Teri / lachak / hain / ke / jaise / daali

Pa Dha(k) / Sa* Sa* – / Pa – / Pa / Dha(k)Pa Dha(k)Pa / Pa – Pa Ma

Dil mein / utar / jaane de

Ma Ma / Ni(k) Ni(k) – / Pa Ma Dha(k)Pa –

Aaja baahon mein karke bahana hona hain tujhmein fanaa……. same as Zidd hain ab / toh hain

Chaand sifarish jo karta hamari deta woh tumko bata

Sharm-o-haya pe parde gira ke karni hain hamko khata

Subhaan allaah subhaan allah subhaan allah

Stanza – 2

Hain jo iraaden bata doon tumko sharma hi jaaogi tum

Dhadakanen jo suna doon tumko ghabraa hi jaaogi tum

Hamko aata nahi hain chhupana hona hain tujhmein fanaa

Chaand sifarish jo karta hamari deta woh tumko bata

Sharm-o-haya pe parde gira ke karni hain hamko khata

Zidd hain ab toh hain khud ko mitana hona hain tujhmein fanaa

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Chand Sifarish Sargam Notes In English-Shaan-2012