B A Hons Hindustani Music 3nd Year Syllabus
Semester – V
Theory-V
Course – 111
History of Indian
Music Marks – 75
Credits – 4
i) Vedic Music: Sama and stobhaksharas, the notes of Vedic music, Gramgeya gana, Aranyageya gana, Poorvarchicka, Uttararchicka, Udatta, Anudatta, Swarita, Vedic and Loukik scales, Panchvidha & Saptavidha sama, Vedic instruments
ii) Musical references in Ramayana, Mahabharata and Puranas (Harivansh & Vayu Puranas)
(iii) Works of the following: Ahobal, Ramamatya, Somnath, Lochan, Bhavbhatt, Vyankatmakhi.
(iv) Notation of compositions in prescribed ragas.
(v) Theoretical knowledge of prescribed ragas.
Internal Assessment Marks – 25
Recommended Books:
1. Swami Prajnananda : Historical Development of Indian Music
2. S.S.Paranjape: Bharatiya Sangeet Ka Itihasa
3. Thakur Jaidev Singh: Bharatiya Sangeet Ka Itihasa
4. Swami Prajnanananda History of Indian Music.
5. Ahobal: Sangeet Parijat
6. V.N.Bhatkhande: A Short Historical survey of the Music of Upper India
7. V.N.Bhatkhande: A Comparative Study of the leading music systems oif the 15th, 16th, 17th, & 18th centuries
Course-112
Practical-VII
Marks-75
Stage Performance & Viva-Voce Credits-8
Prescribed Ragas: Gaudsarang, Pooriya Dhanashri, Kedar, Kamod, Chayanat Performance of half an hour, planned by the candidate in anyone of the prescribed ragas.
Vocal Music –
(i) Vilambit and Drut Khayal with gayaki to be presented in all ragas.
(ii) Dhrupad-Dhamar or Sadra composition in each of the prescribed Ragas with Alap, Layakari & Upaj.
(iii) Presentation of one semi classical /devotional or light composition.
Instrumental Music –
(i) Masitkhani and Razakhani gats with elaboration to be presented in all ragas.
(ii) Gat with elaboration in any 3 of the following Talas-Dhamar, Ektal, Jhaptal, Ada-Chautal.
(iii) Basic knowledge of Sooltal and Teevra.
(iv) Basic knowledge of Tanpura/ Candidate’s own instrument Tuning.
(v) Notation book to be submitted for internal assessment.
(iv) Presentation of a dhun or devotional or light music composition.
Internal Assessment Marks-25
Recommended Books
1. V. N. Bhatkhande: Kramik Putsaka Malika Part – I-IV
2. V.R. Patvardhan: Rag Vigyan Part – I-IV
3. Omkar Nath Thakur: Sangeetanjali Part – I-IV
4. Dr. Lalmani Mishra – Tantrinada
5. Prof. V.K. Aggarwal, Dr. Alka Nagpal – Sitar and its compositions Part – I & II
6. Prof. Anupam Mahajan – Compositions in Instrumental music (tradition and new creation)
7. Pt. Krishna Rao Shankar Pandit – Sitar Vadan Siksha
8. Pt. Krishna Rao Shankar Pandit – Sangeet Pravesh Part – I & II
9. Ragini Trivedi – Ragvibodha Mishrabani, Vol. I & II
SEMESTER VI
Theory-VI
Course-113
Applied Theory Marks 75
Credits-4
i) Gharanas – Prominent Gharanas of Dhrupad (Dagar, Betia, Darbhanga) and Khayal (Gwalior, Agra, Delhi, Jaipur, Kirana) and their significant features regarding techniques.
ii) Gharanas of Instrumental music and their leading styles (Senia, Maihar, Gauripur)
iii) Detailed and Comparative study of the Ragas prescribed in Ist, IInd and IIIrd year.
iv) Study of Hindustani musical forms – : Dhrupad, Dhamar, Sadra, Khayal, Thumri, Tappa, Tarana, Chaturang, Trivat.
(v) Notation of compositions in prescribed ragas.
(vi) Theoretical knowledge of prescribed ragas.
Internal Assessment 25 Marks
Recommended Books:
1. V.H.Deshpande: Indian Musical Tradition
2. Dhrupad Annual Edited by Premlata Sharma
3. V.K.Aggarwal: Indian Music Trends and traditions
4. S.K.Chaubey: Sangeet me Gharana ki Charcha Sangeet Gharana Ank
5. Shanno Khurana: Khyal Gayaki Vividh Gharana
6. M.R.Guatam: Musical Heritage of India
7. V.N.Bhatkhande: Bhatkhande Sangeet Shastra Part-I-III
8. Ragini Trivedi – Ragvibodha Mishrabani, Vol. I & II
Course – 114
Practical-VIII
Marks 75
Stage Performance & Viva-Voce Credits-8
Prescribed Ragas: Todi, Multani, Patdeep, Jaijaiwanti, Malkauns Performance of half an hour, planned by the candidate in anyone of the prescribed ragas.
Vocal Music –
(i) Vilambit and Drut Khayal with gayaki to be presented in all ragas.
(ii) Dhrupad-Dhamar or Sadra composition in each of the prescribed Ragas with Alap, Layakari & Upaj.
(iii) Presentation of one semi classical /devotional or light composition.
Instrumental Music –
(i) Masitkhani and Razakhani gats with elaboration to be presented in all ragas.
(ii) Gat with elaboration in any 3 of the following Talas-Dhamar, Ektal, Jhaptal, Ada-Chautal.
(iii) Basic knowledge of Jhoomra , Dhamar & Chautal.
(iv) Basic knowledge of Tanpura/ Candidate’s own instrument Tuning.
(v) Notation book to be submitted for internal assessment.
(iv) Presentation of a dhun or devotional or light music composition.
Internal Assessment Marks-25
Recommended Books
1. V.N. Bhatkhande: Kramik Pustak Malika Part – I-IV
2. S.N. Ratanjankar: Abhinavageet Manjari
3. V.R. Patwardhan: Rag Vigyan Part – I-V
4. Dr. Lalmani Mishra – Tantrinada
5. Prof. V.K. Aggarwal, Dr. Alka Nagpal – Sitar and its compositions Part – I & II
6. Prof. Anupam Mahajan – Compositions in Instrumental music (tradition and new creation)
7. Pt. Krishna Rao Shankar Pandit – Sitar Vadan Siksha
8. Pt. Krishna Rao Shankar Pandit – Sangeet Pravesh Part – I & II
9. Ragini Trivedi – Ragvibodha Mishrabani, Vol. I & II
