“.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
“*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
“(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
“-” is used for Holdong the notes according to the Song.
Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
Swars written [ Ni(k) Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
{ NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .

Yeh Kaun Chitrakar Hai Music Details –

Original Scale – E

Rhythm – Keherwa Taal

Vikrit Swar – Re(k) Ga(k) Dha(k) Ni(k)

Yeh Kaun Chitrakar Hai Harmonium Notes

Sthai –

Hari / hari / vasundhara /

Sa Dha(k) – / Dha(k) Dha(k) – / Dha(k) Dha(k) Pa Ma – Pa Dha(k) –

Nila / nila / ye / gagan

Pa – Pa Dha(k) / Pa – Pa Dha(k) / Pa Ma Ga – / Ma Pa –

Nila / nila / ye / gagan

Ga – Ga Ma / Ga Ma – Sa / Sa .Ni(k) Ga(k) / Re(k) Sa –

Hari / hari / vasundhara / pe / nila / nila / ye / gagan

Sa Sa / Sa Sa / Re(k) .Ni(k) Sa SaSa / Re(k) / .Ni(k) .Ni(k) / .Ni(k) .Ni(k) / Ga(k) – / Re(k) Sa –

Nila nila ye gagan

Hari hari vasundhara pe nila nila ye gagan

Ke jispe / baadlo ki / paalki / uda / raha / pawan

Sa Sa Sa / Sa – Re(k) .Ni(k) SaSa / Sa – Re(k).Ni(k) / .Ni(k) .Ni(k) / .Ni(k) Ga(k) / Re(k)Sa –

Dishaye / dekho / rangbhari

Sa Sa , Sa / Ga(k) Ga(k) / Ma – Ma(t)Ma – Ma Ma , Ma Ma , Ma Pa

Dishaye / dekho / rangbhari

Sa Sa , Sa / Ga(k) Ga(k) / Ma – Ma(t) Ma

Chamak / rahi / umang / bhari

Sa Sa / Sa Ga(k) / Ga(k) Ma / Ma(t) Ma

Ye / kis ne / phul / phul / pe

Pa / Pa Pa / Ni(k) Ni(k) / Sa* – Re(k)* / Sa* – – – Ni(k) – Pa –

Ye / kis ne / phul / phul pe / kiya / singar / hai

Pa / Pa Pa / Dha(k)Pa Ni(k) / Dha(k) Dha(k)Pa / Pa Ga(k) / Ga(k) Re Re / Ga(k)

Ye kaun / chitra / kar hai / ye kaun / chitra / kar

.Dha(k) Sa Sa / Re(k) – Ga(k) / Re(k) Re(k) Sa / .Dha(k) Sa Sa / Re(k) – Sa / Sa –

Ye kaun / chitra / kar / hai

Sa Pa – – Dha(k)Pa Ni(k) / Ga(k) Ga(k) / Re Re / Ga(k) –

Ye kaun chitrakar hai ye kaun chitrakar

Stanza – 1

Tapasiyo / si / hai / atal / ye / parvato / ki / chotiya

Pa Pa , Pa Pa / Dha(k) / Ma / Ma Ma / Pa / Ga(k) , Ga(k) Ga(k) / Ga(k) / Ga(k) Ni(k) Dha(k) Pa –

Ye sarp si ghumeradar, gheradar ghatiya…..same as above line

Dhwaja / se / ye / khade / huye

Pa Pa / Pa / Ni(k) / Dha Ni(k) Sa* Ni(k) – – Dha Ni(k) Pa

Dhwaja se / ye / khade / huye / hai vrikash / devdaar / ke

Ga(k) Ga(k) Pa / Ni(k) / Dha Ni(k) Sa* Ni(k) / Ni(k) Dha Dha / Ma Ma Pa – Dha(k) / Pa –

Galiche / ye / gulab / ke / bagiche / ye / bahar / ke

Pa Ni(k) Ni(k) / Dha(k) / Dha(k) Pa Pa / Pa MaPa / Pa Ni(k) Ni(k) / Dha(k) / Dha(k) Pa Pa / Pa –

Ye kis kavi ki kalpana…………..Same as Ye kis ne phul phul pe

Ye kis kavi ki kalpana ka chamatkar hai

…………….same as Ye kis ne phul phul pe kiya singar hai

Ye kaun chitrakar hai ye kaun chitrakar

Ye kaun chitrakar hai

Ye kaun chitrakar hai ye kaun chitrakar

Stanza – 2 …….same as Stanza 1

Kudrat ki is pavitarta ko tum nihar lo

Iske guno ko apne man me tum utar lo

Chamka lo aaj lalima

Chamka lo aaj lalima apne lalat ki

Kan kan se jhankati tumhe chabi virat ki

Apni to aankh ye hai, us ki hajar hai

Ye kaun chitrakar hai ye kaun chitrakar

Ye kaun chitrakar hai

Ye kaun chitrakar hai ye kaun chitrakar

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Yeh Kaun Chitrakar Hai Sargam Notes In English Mukesh 1967