Yaman raag is believed to have originated from Kalyan thaat. In this raag Madhyam is used as tiwra swar and all remaining swars are used as shudha. Ga & Ni are Vadi & Samvadi swar ,so its jati is Sampurn -Sampurn. In this raag.The singing time of this raag is 6 pm to 9 pm (the first part of the night).
Yaman Raag
How To Read Sargam Notes –
- “.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
- “*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
- “(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
- Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
- “-” is used for Holdong the notes according to the Song.
- Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
- Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
- Swars written [ Ni(k) Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
- { NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .
Yaman raag Parichay
Aaroh :- SaRe Ga Ma(t) Pa Dha .Ni Sa* Or .Ni Re Ga Ma(t) Dha .Ni Sa*
Avaroh:- Sa* .Ni Dha Pa Ma(t) Ga Re Sa
Pakad :- .Ni Re Ga Re .Ni Re Sa , Pa Ma(t) Ga Re .Ni Re Sa
Thaat:- Kalyan thaat
Jaati :- Sampurn – sampurn(7,7)
Vadi – Samvadi Swar :- Ga – .Ni
Singing time :- Starting time of night.
Yaman raag in English
Instructions-
Komal swar – ga , dh , ni …………..(written in small letter)
Teevra swar – Ma – Ma(t)
Sa* is sa from higher octave..
Teen taal-
Ek gun mein likhne ka tarika –
| Matra | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 |
| Bol | Dha | Dhin | Dhin | Dha | Dha | Dhin | Dhin | Dha |
| Chinha | x | 2 | ||||||
| 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | |
| Dha | tin | tin | ta | ta | Dhin | Dhin | Dha | |
| 0 | 3 |
In this raag bandish start from 9 matraa.. .
Yaman raag Bandish
Sthai –
Mohan murli adhar bajave
Rah rah vyathit hradya hulsave
Stanza –
Gadi gadi pal pal madhu barsave
Mohani murati jhavi ati suhave..
Yaman raag Notation
Sthai –
Notation
Mo – ha n / mu r li – / a dha r ba / ja – ve –
Sa* – .NiDha.Ni / Pa Ma(t) Ga Ma(t) / Pa Ma(t) Ga Re /.Ni Re Sa–
Ra h ra h / vya thi t hra / d ya hu l / sa – ve –
.Ni .Ni Re Re / Ga Ga Ma(t) Ma(t) Dha /Pa Ma(t) Ga Re / .Ni Re Sa–
Ga di ga di / pa l pa l / ma dhu ba r / sa – ve-
Ga Ga Ga Ga / Ma(t) Ma(t) DhaMa(t) Dha / Sa* Sa* Sa* Sa* / .Ni Re* Sa* –
Mo ha ni mu / ra ti jha vi / a ti – su / ha – ve –
.Ni Re* Sa* .Ni / Pa Ma(t) Ga Ma(t) / Pa Ma(t) Ga Re / .Ni Re Sa–
16 Matras Allaap
Mohan murli adhar bajave
.Ni Re Ga Re / .Ni Re Sa– / Pa Ma(t) Ga Re .Ni Re Sa–
Mohan murli adhar bajave
.Ni Re Ga Ma(t) / Pa – – – / Pa Ma(t) Ga Re .Ni Re Sa–
Mohan murli adhar bajave
.Ni .Dha .Ni Re / Ga – – – / .Ni .Dha .Ni Re / Sa– – –
Mohan murli adhar bajave
.Ni Re Ga – / Re Ga – Re / Ga Ma(t) – Ga / Re – Sa–
Mohan murli adhar bajave
Ga Ma(t) Dha .Ni / Dha – Pa – / Pa Ma(t) – Ga / Re – Sa–
Mohan murli adhar bajave
Ga Ma(t) Dha .Ni / Sa* – – – / Sa* .Ni Dha Pa Ma(t) Ga Re Sa
Gadi gadi pal pal madhu barsave
Sa* – – – / .Ni Re* Sa* – / .Ni Re* Ga* Re* / .Ni Re* Sa* –
Gadi gadi pal pal madhu barsave
Sa* – – – / .Ni Re* Sa* – / .Ni Re* Ga* Re* / .Ni Re* Sa* –
Gadi gadi pal pal madhu barsave
8 Matras Taan
Mohan murli
.NiRe GaMa(t) PaDha .NiSa* / Sa*.Ni DhaPa Ma(t)Ga ReSa
Mohan murli
GaMa(t) PaMa(t) GaMa(t) PaMa(t) / GaMa(t) PaMa(t) GaRe Sa–
Mohan murli
GaMa(t) PaMa(t) GaMa(t) PaDha / Sa*.Ni DhaPa Ma(t)Ga ReSa
Mohan murli
Sa*.Ni DhaSa* .NiDhaSa*.Ni / Sa*.Ni DhaPa Ma(t)Ga ReSa
Mohan murli
Sa*.Ni DhaPa Dha.Ni Sa*– / Sa*.Ni DhaPa Ma(t)Ga ReSa
Mohan murli
.NiRe GaRe GaRe GaRe / .NiRe GaRe GaRe Sa–
Mohan murli
.NiRe GaRe PaMa(t) GaRe / PaMa(t) GaRe .NiRe Sa–
Mohan murli
PaMa(t) GaMa(t) PaDha PaMa(t) / GaMa(t) PaMa(t) GaRe Sa-
16 Matras Taan
Mohan murli adhar bajave
.NiRe GaMa(t) PaDha.NiSa* / Sa*.Ni DhaPa Ma(t)Ga ReSa/ .NiRe GaMa(t) PaDha .NiSa* / .Ni.Ni DhaPa Ma(t)Ga ReSa
Mohan murli adhar bajave
.Ni Re GaGa ReGa Ma(t)Ma(t) / GaMa(t) PaPa Ma(t)Pa DhaDha / PaDha .Ni.Ni Dha.Ni Sa*Sa* / Sa*.Ni DhaPa Ma(t)Ga ReSa
Mohan murli adhar bajave
.NiRe GaRe .NiRe Sa- / PaMa(t) GaRe .Ni Re Sa– / .NiRe GaMa(t) PaDha.NiSa* / Sa*.Ni DhaPa Ma(t)Ga ReSa
Mohan murli adhar bajave
GaMa(t) PaMa(t) GaMa(t) PaMa(t) / GaMa(t) PaMa(t) GaRe Sa-/ .NiRe GaRe .NiRe Sa– / PaMa(t) GaRe .NiRe Sa-
Mohan murli adhar bajave
.NiRe GaRe .NiRe GaRe / .NiRe GaRe .NiRe Sa–/ PaMa(t) GaMa(t) PaDha PaMa(t) / GaMa(t) PaMa(t) GaRe Sa-
Mohan murli adhar bajave
GaMa(t) PaMa(t) GaMa(t) PaDha / PaMa(t) GaMa(t) PaDha .NiDha PaMa(t) GaMa(t) PaDha .NiRe Sa*.Ni DhaMa(t) GaRe Sa
Yaman raag question answer –
What are the Aaroh, Avaroh & Pakad of Yaman raag ?
Aaroh :- SaRe Ga Ma(t) Pa Dh .Ni Sa* Or .Ni Re Ga Ma(t) Dh .Ni Sa*
Avaroh:- Sa* .Ni Dh Pa Ma(t) Ga Re Sa
Pakad :- .Ni Re Ga Re .Ni Re Sa , Pa Ma(t) Ga Re .Ni Re Sa
What is the Jati of Yaman raag ?
Jati :- Sampurn – sampurn(7,7)
What is the singing time of Yaman raag ?
Singing time :- 6 pm to 9 pm (the first part of the night)
Which swars are used in Yaman raag ?
Aaroh :- SaRe Ga Ma(t) Pa Dh .Ni Sa* Or .Ni Re Ga Ma(t) Dh .Ni Sa*
Avaroh:- Sa* .Ni Dh Pa Ma(t) Ga Re Sa
Pakad :- .Ni Re Ga Re .Ni Re Sa , Pa Ma(t) Ga Re .Ni Re Sa
What is the Thaat of Yaman raag ?
Thaat:- Kalyan thaat
What are the Vadi- Samvadi Swar of Yaman raag ?
Vadi – Samvadi Swar :- Ga – .Ni
What is the introduction of Yaman raag ?
Yaman raag is believed to have originated from Kalyan thaat. In this raag Madhyam is used as tiwra swar and all remaining swars are used as shudha. Ga & Ni are Vadi & Samvadi swar ,so its jati is Sampurn -Sampurn. In this raag.The singing time of this raag is 6 pm to 9 pm (the first part of the night).
