{"id":9016,"date":"2023-04-17T12:56:48","date_gmt":"2023-04-17T07:26:48","guid":{"rendered":"https:\/\/onlinesangeet.com\/?p=9016"},"modified":"2024-04-05T15:38:04","modified_gmt":"2024-04-05T10:08:04","slug":"manipuri-nritya-bhaskar-part-1-syllabus-in-english","status":"publish","type":"post","link":"https:\/\/onlinesangeet.com\/manipuri-nritya-bhaskar-part-1-syllabus-in-english\/","title":{"rendered":"Manipuri Nritya Bhaskar Part 1 Syllabus In English Pracheen Kala Kendra"},"content":{"rendered":"\n\n
Total Marks: 400<\/p>\n\n\n\n
Theory\u2013 200<\/p>\n\n\n\n
First Paper-100<\/p>\n\n\n\n
Second Paper-100<\/p>\n\n\n\n
Stage performance-125<\/p>\n\n\n\n
Practical-75<\/p>\n\n\n
(1). Detailed study of \u00a0related to Manipuri dance<\/a><\/p>\n\n\n\n (2). Essay-<\/p>\n\n\n\n (3). History of lok dance<\/a>. Comparative study of classical and lok dance<\/a> and knowledge of lok dances<\/a> of Manipuri hill region.<\/p>\n\n\n\n (4). Influence of Indian dances<\/a> from Aadi kaal to Aadhunik kaal.<\/p>\n\n\n\n (5). Comparative study of Hindustani and western dance styles and the impact of western dances on Indian dances.<\/p>\n\n\n\n (6).Place and importance of Guru in dance.<\/a><\/p>\n\n\n\n (7). Origin of lay and its ten Pran.<\/p>\n\n\n\n (8) Influence of Manipuri dance<\/a> on Rabindra dance.<\/p>\n\n\n\n (9).Relationship of Shri Krishna, Shriradha and Vrindadevi with Manipuri dance<\/a>.<\/p>\n\n\n\n (10).Detailed information regarding the dance-oriented festivals organized in Manipuri state <\/a>from the beginning to the end of the year.<\/p>\n\n\n\n (11). Which Manipuri dance<\/a> was performed by the king of Manipur under Vaishnavism, what was the result of it. information about this topic.<\/p>\n\n\n\n (12). Knowledge of Manipuri dance<\/a> from Pracheen kaal to Aadhunik kaal.<\/p>\n\n\n\n (13). Knowledge of origin, development and characteristics of different gharanas of Manipuri dance<\/a>.<\/p>\n\n\n\n (14) Place of Ras and Bhav in Manipuri dance<\/a>.<\/p>\n\n\n\n (15). Knowledge of all the technical terms related to Manipuri dance<\/a>.<\/p>\n\n\n\n (16). Detailed knowledge of operation of different parts of the body and their importance in dance<\/a>.<\/p>\n\n\n\n (17). Knowledge of religious and cultural history of Manipur<\/a>.<\/p>\n\n\n\n (18).Comparative study of classical, lok and ethnic dances of Manipur<\/a> region including their distinctive features.<\/p>\n\n\n\n (19).Detailed knowledge of its different types by telling the origin of Raas dance<\/a>.<\/p>\n\n\n\n (1). Place of Lai Haroba<\/a> in Manipuri jati festival.<\/p>\n\n\n\n (2). Comparative study of lok dance<\/a> by categorizing lok dances according to geographical location.<\/p>\n\n\n\n (3).Which part of which chapter of Shri Gita is performed in Manipuri Chali dance?<\/p>\n\n\n\n (4) Study of pracheen and aadhunik granth of Manipuri dance<\/a>.<\/p>\n\n\n\n (5) The place of mythological and lok stories of Manipuri dance<\/a> and song composition.<\/p>\n\n\n\n (6). Ras and nayak – nayika in Manipuri Vaishnava<\/a> literature.<\/p>\n\n\n\n (7). Definition – Prabandha, Khootlan, Pungchalan, Jagoi<\/a>, Matobai Leela, Dhamel Thamalchomba.<\/p>\n\n\n\n (8). Practice of writing all the taals prescribed in the syllabus in different laykari.<\/p>\n\n\n\n (9).Detailed study of Dakshin Taal paddhati and its comparison with Manipuri Taal paddhati.<\/p>\n\n\n\n (10).Detailed study and knowledge of playback singing of Manipuri dance<\/a>, its need and importance.<\/p>\n\n\n\n (11). Knowledge of various aspects of Vipralabdha.<\/p>\n\n\n\n (12).Knowledge of different types of the following Raas dances like Maharaas, Kunjraas, Banstraas and Nityaraas along with their shlok, songs and bol.<\/p>\n\n\n\n (13). Knowledge of all the mudra used in Manipuri dance and relation of these mudra with ras and bhav.<\/p>\n\n\n\n (14).Detailed study of distinction between nayak and nayika <\/a>and importance of these distinctions in Manipuri dance<\/p>\n\n\n\n (15). Importance of Taal in Classical Sugam and lok dance<\/a> of Manipuri State<\/p>\n\n\n\n\n
Second Paper<\/h5>\n\n\n\n