“.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
“*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
“(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
“-” is used for Holdong the notes according to the Song.
Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
Swars written [ Ni(k) Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
{ NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .

Music Details –

Original scale – A

Vikrit swar – Re(k) , Dha(k) , Ni(k)

Shiv Tandav Stotram Sargam Notes In English

Jatatavigalajjala / pravahapavitasthale

SaSa SaSa SaSa SaSa / SaSa SaSa Sa.Ni(k) SaRe(k) –

Ga / leavalambya lambitam / bhujangatungamalikam |

Re(k) / GaGa GaGa Re(k) Re(k) Re(k) Re(k) / Re(k) Re(k) Re(k) Re(k) Sa.Ni(k) Re(k) Sa –

Damad damad damaddama / ninadavadamarvayam,

SaSa SaSa SaSa SaSa / SaSa SaSa Sa.Ni(k) SaRe(k) –

Chakara chandtandavam tanotu nah / shivah shivam ||1||

Re(k) / GaGa GaGa Re(k) Re(k) Re(k) Re(k) / Re(k) Re(k) Re(k) Re(k) Sa.Ni(k) – – / Re(k) Sa – Re(k) Sa – Re(k) Sa – Re(k) Sa –

Jata kata hasambhrama bhramanilimpanirjhari,

Vilolavichivalarai virajamanamurdhani |

Dhagadhagadhagajjva lalalata pattapavake,

Kishora chandrashekhare ratih pratikshanam mama ||2||…..same as above sloke

Dharadharendrana ndinivilasabandhubandhura,

Sa Ma MaMa Ga PaPa PaPa / Ma Dha(k) Dha(k) Dha(k) Dha(k) PaPa PaPa

Sphuradigantasantati pramodamanamanase |

MaMa MaMa GaGa GaGa / Re(k) Re(k) Re(k) Re(k) Sa.Ni(k) Re(k) Sa –

Krupakatakshadhorani nirudhadurdharapadi,

Kvachidigambare manovinodametuvastuni ||3||….same as above lines

Jata bhujan gapingala sphuratphanamaniprabha,

SaSa SaSa Sa Re(k) Re(k) Re(k) Re(k) / Re(k) Re(k) Re(k) Re(k) / Re(k) Sa.Ni(k) Re(k) Sa

Kadambakunkuma dravapralipta digvadhumukhe |

Sa / GaGa GaGa Re(k) Re(k) Re(k) Re(k) / Re(k) Re(k) Re(k) Re(k) / Re(k) Sa.Ni(k) Re(k) Sa

Madandha sindhu rasphuratvagutariyamedure,

Sa GaGa GaGa PaPa PaPa / Dha(k) Dha(k) Dha(k) Dha(k) PaPa PaPa

Mano vinodamadbhutam bibhartu bhutabhartari ||4||

Pa GaGa GaGa Re(k) Re(k) Re(k) Re(k) / Re(k) Re(k) Re(k) Re(k) / Re(k) Sa.Ni(k) Re(k) Sa –

Om / Namah shivay …

Sa – – – / .Ni(k) .Ni(k) Re(k) Sa – – –

Sada shivam / bhajamiyhum / Sada shivam / bhajamiyhum

Pa Pa – Pa Pa – / Pa Dha(k) – Dha(k) Pa – / Pa Ga – Ga Re(k) – / Sa .Ni(k) Re(k) Sa –

Sahasra lochana prabhritya sheshalekhashekhara,

Sa PaPa PaPa PaPa PaPa / Pa Dha(k) Dha(k) Dha(k) Dha(k) Dha(k) PaPa PaPa

Prasuna dhulidhorani vidhusaranghripithabhuh |

Pa GaGa GaGa Re(k) Re(k) Re(k) / Re(k) Re(k) Re(k) Re(k) Re(k) Sa.Ni(k) Re(k) Sa –

Bhujangaraja malaya nibaddhajatajutaka,

Shriyai chiraya jayatam chakora bandhushekharah ||5||…..same as above lines

Lalata chatvarajvaladhanajnjayasphulingabha,

Nipitapajnchasayakam namannilimpanayakam |

Sudha mayukha lekhaya virajamanashekharam,

Maha kapali sampade shirojatalamastu nah ||6||……same as sloke II5II

Karala bhala pattikadhagaddhagaddhagajjvala,

Sa Dha(k) Dha(k) Dha(k) Dha(k) Dha(k) Dha(k) Dha(k) / Dha(k) PaPa PaPa PaPa Pa

Ddhanajnjaya hutikruta prachandapajnchasayake |

Pa MaMa MaMa MaMa Ma / Ma PaPa PaPa PaPa Pa

Dharadharendra nandini kuchagrachitrapatraka,

Sa Dha(k) Dha(k) Dha(k) Dha(k) Dha(k) Dha(k) Dha(k) / Dha(k) PaPa PaPa PaPa Pa

Prakalpanaikashilpini trilochane ratirmama ||7||

Pa MaMa MaMa / Ma GaGa GaGa /Ga Re(k) Re(k) Re(k) Re(k) / Re(k) Sa Sa Sa Sa

Navina megha mandali niruddhadurdharasphurat,

Kuhu nishithinitamah prabandhabaddhakandharah |

Nilimpanirjhari dharastanotu krutti sindhurah,

Sa PaPa PaPa PaPa PaPa / Pa Dha(k) Dha(k) Dha(k) Dha(k) Dha(k) PaPa PaPa

Kalanidhanabandhurah shriyam jagaddhurandharah ||8||….same as sloke II4II

Om – –

Pa —————–

Praphulla nila pankaja / prapajnchakalim / chatha,

Sa Sa – Sa Sa – Sa Re(k) – Re(k) Re(k) – / Re(k) Ga – Ga Ga / Ga Re(k) Sa Sa –

Vdambi kantha / kandali / raruchi prabaddha / kandharam |

Sa Ma – Ma Ma – Ga / Pa – Pa Pa / Ma Dha(k) – Dha(k) Dha(k) / Ni(k) Dha(k) Pa Pa

Smarachchidam / purachchhidam / bhavachchidam / makhachchidam,

Pa Ma – Ma Ma / Ga Pa – Pa Pa / Pa Dha(k) – Dha(k) Dha(k) / Ni(k) Dha(k) Pa Pa –

Gajachchidandhakachidam / tamamtakachchidam / bhaje ||9||

Pa Sa* Sa* Ni Ni Dha(k) Dha(k) Pa / Pa Ma Ma – / GaGa Pa –

Akharvagarvasarvamangala kalakadambamajnjari,

Rasapravaha madhuri vijrumbhana madhuvratam |

Smarantakam purantakam bhavantakam makhantakam,

Gajantakandhakantakam tamantakantakam bhaje ||10||….sameas sloke II9II

Om – — –

Sa – – – –

Jayatvadabhravibhrama bhramadbhujangamasafur,

PaPa PaPa PaPa PaPa / PaPa PaPa MaDha(k) Pa –

Dhigdhigdhi nirgamatkarala bhaal havyavat |

Sa / GaGa GaGa Re(k) Re(k) Re(k) Re(k) / Re(k) Re(k) Re(k) Re(k) Sa.Ni(k) Re(k) Sa

Dhimiddhimiddhimidhva / nanmrudangatungamangala,

Ma Ma Ma Ma Ga Pa Pa – / Ma Dha(k) – Dha(k) Dha(k) / Ni(k) Dha(k) – Pa Pa –

Dhvanikramapravartita prachanda tandavah shivah ||11||

Ma Dha(k) – Dha(k) Dha(k) Ni(k) Dha(k) Pa Pa / Ma Ma Ga Ga Re(k) Ga – Re(k) Ga –

Drushadvichitratalpayor bhujanga mauktikasrajor,

SaSa SaSa Sa Re(k) Re(k) Re(k) Re(k) / Re(k) Re(k) Re(k) Re(k) Sa.Ni(k) Re(k) Sa

Garishtharatnaloshthayoh suhrudvipakshapakshayoh |

Sa / GaGa GaGa Re(k) Re(k) Re(k) Re(k) / Re(k) Re(k) Re(k) Re(k) Sa.Ni(k) Re(k) Sa

Trushnaravindachakshushoh prajamahimahendrayoh,

Sa Ma – Ma Ma – Ga / Pa – Pa Pa / Ma Dha(k) – Dha(k) Dha(k) / Ni(k) Dha(k) Pa Pa

Sama pravartayanmanah kada sadashivam bhajamyaham ||12||

Pa Sa* Sa* Ni Ni Dha(k) Dha(k) Pa Pa / Ma Ma Ga Ga Re(k) Ga – –

Kada nilimpanirjhari nikujnjakotare vasanh,

PaPa PaPa PaPa PaPa / PaPa PaPa Pa Ma Pa Dha(k) –

Vimuktadurmatih sada shirah sthamajnjalim vahanh |

Sa / GaGa GaGa Re(k) Re(k) Re(k) Re(k) / Re(k) Re(k) Re(k) Re(k) Sa.Ni(k) Re(k) Sa

Vimuktalolalochano lalamabhalalagnakah,

PaPa PaPa PaPa PaPa / PaPa PaPa Pa Ma Pa Dha(k) –

Shiveti mantramuchcharan sada sukhi bhavamyaham ||13||

Sa / GaGa GaGa Re(k) Re(k) Re(k) Re(k) / Re(k) Re(k) Re(k) Re(k) Sa.Ni(k) Re(k) Sa / Re(k) Sa – Re(k) Sa –

Imam hi nityameva muktamuttamottamam stavam,

PaPa PaPa PaPa PaPa / PaPa PaPa Pa Ma Pa Dha(k) –

Pathansmaran bruvannaro vishuddhimeti santatam |

Sa / GaGa GaGa Re(k) Re(k) Re(k) Re(k) / Re(k) Re(k) Re(k) Re(k) Sa.Ni(k) Re(k) Sa

Hare gurau subhaktimashu yati nanyatha gatim,

PaPa PaPa PaPa PaPa / PaPa PaPa Pa Ma Pa Dha(k) –

Vimohanam hi dehinam sushankarasya chintanam ||14||

Pa Sa* Sa* Ni Ni Dha(k) Dha(k) Pa Pa Ma Ma Ga Ga Re(k) -…….(3)

Pa Sa* Sa* Ni Ni Dha(k) Dha(k) Pa Pa Ma Ma Ga Ga Re(k) / Ga Re(k) Sa

Om / Namah Shivay –

Sa — – – / .Ni(k) .Ni(k) Re(k) Sa – – – ……(2)

Om / Namah Shivay –

Ma – – – – / Ma Pa Ma Ga – – –

Puja vasanasamaye dashavaktragitam,

Yah shambhupujanaparam pathati pradoshhe |

Tasya sthiram rathagajendraturangayuktam,

Lakshmim sadaiva sumukhim pradadati shambhuh ||15||

Aum Namah Shivay !!

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Shiv Tandav Stotram Sargam Notes In English Shanker Mahadevan