“.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
“*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
“(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
“-” is used for Holdong the notes according to the Song.
Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
Swars written [ Ni(k) Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
{ NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .

Gehra Hua Music Details –

Original Scale – Gm

Vikrit swar – Ga(k) , Dha(k) , Ni(k)

Gehra Hua Harmonium Notes

Sthai –

Tu / agar / meri / yeh / hawayein / teri

Sa – / .Ni(k) Sa – / .Ni(k) Sa – / .Ni(k) / Sa Re Ga(k) / Re Sa

Tu / agar / meri / saari / raahein / teri

.Ni(k) – / .Dha .Ni(k) – / .Dha .Ni(k) – / .Dha .Ni(k) / SaRe / Sa.Ni(k)

Tu / agar / meri / main / hoon / tera

.Dha(k) – / .Pa .Dha(k) – / .Ma.Ga(k).Re – / .Re .Ga(k) / .Ni(k) – / .Dha(k) .Pa –

Tu agar meri, yeh ujaale tere

Tu agar meri, dil hawale tere

Tu agar meri, main hoon tera

Betaab-sa / mohabbat / ka tu / inqalaab / hai

Sa Re Ga(k) Ma – / Ma ReMa Dha(k) Pa / Ga(k) – Re – / Ga(k) – Re Ga(k) – Re / Ga(k) –

Mera / jahaan / teri / baahon / mein / khwaab / khwaab / hai

Sa Re / Ga(k) Ma – / Ma ReMa / Dha(k)Pa Ga(k) – / Re – / Ga(k) – Re / Ga(k) – Re / Ga(k) –

Gehra / hua / gehra / hua

Pa Ni(k) / Pa Sa* – / Pa Sa* / Pa Ni(k) –

Rang / aashiqui / gehra / hua

Pa / Pa – Ma Ma – / Ga(k) MaPa – / Ga(k) Re –

Gehra / hua / gehra / hua

Pa Ni(k) / Pa Sa* – Ni(k)Sa* – / Pa Sa* / Pa Ni(k) –

Dariya / dua / gehra / hua

Pa Ni(k) / Pa Ma – / Ga(k) Ma Pa – / Ga(k) Re –

Tera / hua

.Ni(k) Sa Re Sa / Sa .Dha(k) .Pa –

Tu agar meri, yeh hawayein teri

Tu agar meri, saari raahein teri

Tu agar meri, main hoon tera

Stanza – 1

[Gm] Palkein / jhapakta / hai aasmaan

Pa Pa / Pa , Pa Pa Pa – / Pa Ma Pa Ni(k) Pa Ma Pa –

[F] Laakhon / farishton / ki hai / tu jaan

Pa Pa / Pa , Pa Pa Pa – / Pa MaPa Ni(k) / Pa Ma Pa –

[D#] Woh / poochhte / hain / Rehti / kahaan

Pa / Pa PaPa / Pa – / Pa MaPa Ni(k) / Pa MaPa –

[Dm] Meri / baahon / mein / rehti / unko / bata

Ma Pa / Sa* Sa* Sa* / Ni(k) Pa Ma Ga(k) / Ga(k)MaPa / MaPa –

Palkein jhapakta hai aasmaan

Usne bhi tujh-sa dekha kahaan

Hai raunakien wahan, tu hai jahaan

Meri baahon mein rehna, yahi hai dua

Tu agar meri, hai fasaana tera

Tu agar meri, toh zamaana tera

Tu agar meri, main hoon tera

Stanza – 2

Betaab-sa mohabbat ka tu inqalaab hai

Mera jahaan teri baahon mein khwaab, khwaab hai

Gehra hua, gehra hua

Rang aashiqui gehra hua

Tera hua

Tu agar meri, yeh hawayein teri

Tu agar meri, saari raahein teri

Tu agar meri, main hoon tera

Teri mohabbat mein jalna bhi hai

Aur tujhse bachke hi chalna bhi hai

Kuch rang apna badalna bhi hai

Maine dhalna tere rang mein hai sada

Tu chaand hai ek dhadakta hua

Chori se mujhko hi takta hua

Seene se lag ke chamakta hua

Meri jannat ka rasta, tu hi tu hua

Tu agar meri, yeh hawayein teri

Tu agar meri, saari raahein teri

Tu agar meri, main hoon tera

Betaab-sa mohabbat ka tu inqalaab hai

Mera jahaan teri baahon mein khwaab, khwaab hai

Gehra hua, gehra hua

Rang aashiqui gehra hua

Gehra hua, gehra hua

Dariya dua gehra hua

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Gehra Hua Sargam Notes In English Dhurandhar Arijit Singh