Vibhas Raag is believed to have originated from bhairav thaat. In this raag madhyam and nishad swar are not used . Its jati is Audav – Audav . rishabh and dhaivat are komal and other swar are shudh.In this raag Dha & Re are Vadi & Samvadi swar .The singing time of this raag is 6 Am to 9 Am.
Vibhas Raag
How To Read Sargam Notes –
- “.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
- “*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
- “(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
- Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
- “-” is used for Holdong the notes according to the Song.
- Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
- Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
- Swars written [ Ni(k) Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
- { NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .
Description of raag:-
Aaroh- Sa Re(k)Ga Pa Dha(k) Sa*.
Avaroh – Sa*Dha(k) Pa, Ga Pa Dha(k) Pa, Ga Re(k) Sa.
Pakad- Dha(k) Dha(k) Pa, Ga Pa Ga Re(k) Sa.
Thaat – Bhairav thaat.
Varjit swar – Madhyam and Nishad.
Vadi – Samvad swar – Dha Re
Jati – Audav – Audav
Singing time -6 Am to 9 Am.
Important Notes:-
1.This is utrang pradhan raag. This is play in utar ang of middle octave and purv ang of higher octave.
2.Here three type of vibhas. Another two types of vibhas generate from purvi and marva thaat. All three vibhas different from each other. Vibhas is more popular which is generated from bhairav thaat.
3.This is raag of serious and silent nature.
4.Agitation of dhaivat is slow down.
5.Rishabh is komal and gandhar is shudh in this. Hence it is morning sandhiprakash raag .
6. In the purvi Thaat Janyarag Reva, the notes of Raag Vibhas are heard. The difference is that Raag Reva is Purvaag pradhan and its singing is in the evening Sandhiprakash time and Vibhas bhairav Thaat Janya Sandhiprakash is the early morning raag.
Swar of nyas – Pa, Dha(k) and Sa*.
Isotype raag – Jait in purvi Thaat Janya Reva and Purvaag.
Important swar combination;-
1.Dha(k)Dha(k)Pa, Ga Pa.
2.PaGa Pa Dha(k) Dha(k) Pa.
3.Sa* Re(k)*Sa* Dha(k) – Dha(k) Pa.
4.Dha(k)– Pa, Ga Pa Ga Re(k) Sa.
Vibhas Raag question answer –
What are the Aaroh, Avaroh & Pakad of Vibhas Raag?
Aaroh- Sa Re(k)Ga Pa Dha(k) Sa*.
Avaroh – Sa*Dha(k) Pa, Ga Pa Dha(k) Pa, Ga Re(k) Sa.
Pakad- Dha(k) Dha(k) Pa, Ga Pa Ga Re(k) Sa.
What is the Jati of Vibhas Raag?
Jati – Audav – Audav
What is the singing time of Vibhas Raag?
Singing time -6 Am to 9 Am.
Which notes are used in Vibhas Raag?
Aaroh- Sa Re(k)Ga Pa Dha(k) Sa*.
Avaroh – Sa*Dha(k) Pa, Ga Pa Dha(k) Pa, Ga Re(k) Sa.
Pakad- Dha(k) Dha(k) Pa, Ga Pa Ga Re(k) Sa.
What is the Thaat of Vibhas Raag?
Thaat – Bhairav thaat.
What are the Vadi- Samvadi Swar of Vibhas Raag?
Vadi – Samvad swar – Dha Re
What is the introduction of Vibhas Raag?
Vibhas Raag is believed to have originated from bhairav thaat. In this raag madhyam and nishad swar are not used . Its jati is Audav – Audav . rishabh and dhaivat are komal and other swar are shudh.In this raag Dha & Re are Vadi & Samvadi swar .The singing time of this raag is 6 Am to 9 Am.
