Tilak Kamod Raag Bandish 16 Matras Allap Taan Music Notes In English

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Tilak Kamod raag is believed to have originated from Khamaj thaat.Ga & Dha are not used in Aaroh and Rishabh is not used in the avaroh. Its jati is Audav – Shadav. In this raag Sa & Pa are Vadi & Samvadi swar .The singing time of this raag is 9 pm to 12 am(the second part of the night).

Tilak Kamod Raag

How To Read Sargam Notes –

  • “.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
  • “*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
  • “(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
  • Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
  • “-” is used for Holdong the notes according to the Song.
  • Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
  • Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
  • Swars written [ Ni(k)  Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
  • { NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .

Description of Raag:-

Aaroh – Sa Re Ga Sa, Re Ma Pa Dha Ma Pa, Ni Sa*.

Avaroh – Sa* Pa, Dha Ma Ga, Sa Re Ga – Sa .Ni.

Pakad – Sa* Pa, Dha Ma Ga, Sa Re Ga – Sa .Ni – .Pa .Ni Sa Re Ga Sa.

Thaat – Khamaj thaat

Varjit swar – Ga, Dha and Re

Vadi – Samvadi swar – Sa and Pa.

Jati – Audav – Shadav

Singing time – 9 pm to 12 am(the second part of the night).

Important Notes:-

1. The association of Ga Sa, Re Pa and Sa* Pa is show again and again in this raag.

2.Mostly chhota khyal and thumri is sang in this raag due to playful nature. Sometimes dhrupad is also heard.

3.Some singers used both ni in raag. Coming from higher Sa to Pa to used soft nishad. Then it’s use, As – Sa* Pa, Ni Dha Pa, Dha Ma Ga.

4.The practice of this raag is curve. Straight Going from higher Sa to Pa and Ga to Sa with meend. Only Re is straight use in avarohatmak tones.

Swar of nyas – Sa, Ga and Pa.

Isotype raag – Desh and Sortha.

Tilak kamod – Sa* Pa, Dha – Ma Ga, Sa Re Ga – Sa .Ni.

Desh – Sa* Ni Dha Pa, Dha – Ma Ga Re, Ga – .Ni Sa.

Important swar combination:-

1.     Pa Ni SaReGa – Sa.

2.     Sa Re Pa – Ma Ga.

3.     ReMaPaDha Ma Pa, Sa* Pa.

4.     Sa* Pa, Dha – Ma Ga.

5.     SaReGa – Sa Ni.

Tilak Kamod raag question answer-

What are the Aaroh, Avaroh & Pakad of Tilak Kamod raag  ?

Aaroh – Sa Re Ga Sa, Re Ma Pa Dha Ma Pa, Ni Sa*.
Avaroh – Sa* Pa, Dha Ma Ga, Sa Re Ga – Sa .Ni.
Pakad – Sa* Pa, Dha Ma Ga, Sa Re Ga – Sa .Ni – .Pa .Ni Sa Re Ga Sa.

What is the Jati of Tilak Kamod raag ?

Jati – Audav – Shadav

What is the singing time of Tilak Kamod raag ?

Singing time – 9 pm to 12 am(the second part of the night).

Which swars are used in Tilak Kamod raag ?

Aaroh – Sa Re Ga Sa, Re Ma Pa Dha Ma Pa, Ni Sa*.
Avaroh – Sa* Pa, Dha Ma Ga, Sa Re Ga – Sa .Ni.
Pakad – Sa* Pa, Dha Ma Ga, Sa Re Ga – Sa .Ni – .Pa .Ni Sa Re Ga Sa.

What is the Thaat of Tilak Kamod raag ?

Thaat – Khamaj thaat

What are the Vadi- Samvadi Swar of Tilak Kamod raag ?

Vadi – Samvadi swar – Sa and Pa.

What is the introduction of Tilak Kamod raag ?

Tilak Kamod raag is believed to have originated from Khamaj thaat.Ga & Dha are not used in Aaroh and Rishabh is not used in the avaroh. Its jati is Audav – Shadav. In this raag Sa & Pa are Vadi & Samvadi swar .The singing time of this raag is 9 pm to 12 am(the second part of the night).