Nayaki Kanada Raag Bandish 16 Matras Allap Taan Music Notes In English

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Nayaki kanada raag  is believed to have originated from Kaphi thaat. In this raag Ga(k) & Ni(k) are used as komal swar .Dha is not used in this raag . Its jati is Shadav- Shadav. In this raag Ma & Sa are Vadi & Samvadi swar .The singing time of this raag is midnight.

Nayaki Kanada Raag

How To Read Sargam Notes –

  • “.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
  • “*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
  • “(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
  • Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
  • “-” is used for Holdong the notes according to the Song.
  • Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
  • Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
  • Swars written [ Ni(k)  Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
  • { NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .

Description of Raag:-

Aaroh – MaRe Pa, MaGa(k) – Ma, Ma Pa, PaNi(k)Pa, Sa*.

Avaroh – Sa*Ni(k) Sa*, PaNi(k) Pa, Ni(k)Ma Pa, MaGa(k) – Ga(k) Ma Re Sa.

Pakad – Sa Ma Re Pa, PaNi(k) Pa, Ma Ga(k) – Ga(k) Ma – ReSaRe – Sa.

Thaat- Kaphi thaat

Varjit swar – Dhaivat

Vadi – Samvadi swar- Ma and Sa.

Jati – Shadav- Shadav

Singing time -Midnight.

Important Notes:-

1.As the name suggest this is type of kanhda. This is beautiful combination of malhar and kanhda. Re Pa and ni Ma Pa is swar of malhar and ni Pa & Maga – Ma Re Sa is swar of kanhda. Some singers believe this is combination of suha and sarang raag.

2.Always pancham is used as particle on nishad and madhyam on gandhar in this raag.

3.This is raag of curve shadav jati. Agitation is occur on gandhar.

4.Association of Pa ga and Pa sa* is show again and again in this. Firstly goes pancham to gandhar in avaroh. Then agitated it’s two times and used Ma Re Sa match with middle Sa as- Pa Maga Maga Ma Re Sa. Straight goes rishabh to gandhar in Aaroh after that madhyam is agitated to times on gandhar, as- re Pa Maga – gaMa, Ma Pa ni Pa then goes to higher Sa. Mostly Ma Pa, Pa ni Pa Sa* swar group is used.

5.Some singers use soft dhevat and believe this is raag of sampoorn jati.

6.This is raag of serious nature. Chhota khyal, bada khyal, tarana etc sang in this. Thumri is not sang in this.

7.Some singers is less use of shudh ni. Soft ni is used in both aaroh and avaroh.

Swar of nyas- Sa, Ma and Pa.

Similar raag – Suna, sughrai, shahana, and devshakh.

Nayaki kanada raag  question answer –

What are the Aaroh, Avaroh & Pakad of Nayaki kanada raag  ?

Aaroh – MaRe Pa, MaGa(k) – Ma, Ma Pa, PaNi(k)Pa, Sa*.
Avaroh – Sa*Ni(k) Sa*, PaNi(k) Pa, Ni(k)Ma Pa, MaGa(k) – Ga(k) Ma Re Sa.
Pakad – Sa Ma Re Pa, PaNi(k) Pa, Ma Ga(k) – Ga(k) Ma – ReSaRe – Sa.

What is the Jati of Nayaki kanada raag ?

Jati – Shadav- Shadav

What is the singing time of Nayaki kanada raag ?

Singing time -Midnight.

Which notes are used in Nayaki kanada raag ?

Aaroh – MaRe Pa, MaGa(k) – Ma, Ma Pa, PaNi(k)Pa, Sa*.
Avaroh – Sa*Ni(k) Sa*, PaNi(k) Pa, Ni(k)Ma Pa, MaGa(k) – Ga(k) Ma Re Sa.
Pakad – Sa Ma Re Pa, PaNi(k) Pa, Ma Ga(k) – Ga(k) Ma – ReSaRe – Sa.

What is the Thaat of Nayaki kanada raag ?

Thaat- Kaphi thaat

 
What are the Vadi- Samvadi Swar of Nayaki kanada raag ?

Vadi – Samvadi swar- Ma and Sa.

What is the introduction of Nayaki kanada raag ?

Nayaki kanada raag  is believed to have originated from Kaphi thaat. In this raag Ga(k) & Ni(k) are used as komal swar .Dha is not used in this raag . Its jati is Shadav- Shadav. In this raag Ma & Sa are Vadi & Samvadi swar .The singing time of this raag is midnight.