Multani Raag Bandish 16 Matras Allap Taan Music Notes In English

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Multani Raag
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Multani raag is believed to have originated from Todi thaat. In this raag Ga(k) Dha(k) & Re(k) are used as komal swar and Ma(t)is used as tiwra .Re & Dha are not used in aaroh and all the seven swars are used in the avaroh. Its jati is Audav -Sampurn. In this raag Pa & Sa are Vadi & Samvadi swar .The singing time of this raag is 3 pm to 6 pm (the last hours of the day).

Multani Raag

How To Read Sargam Notes –

  • “.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
  • “*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
  • “(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
  • Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
  • “-” is used for Holdong the notes according to the Song.
  • Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
  • Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
  • Swars written [ Ni(k)  Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
  • { NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .

Description of Raag:-

Aaroh – .Ni Sa, Ma(t)Ga(k) Ma(t)Pa, Ni Sa*.

Avaroh – Sa* Ni Dha(k) Pa, Ma(t)Ga(k), Re(k) Sa.

Pakad – .Ni Sa Ma(t)Ga(k) – Ma(t)Pa, Ma(t)Ga(k) Ma(t)– Ga(k) Re(k) Sa.

Thaat – Todi thaat

Varjit swar – Re and Dha

Vadi – Samvadi swar – Pa Sa

Jati – Audav -Sampurn (5,7)

Singing time -3 pm to 6 pm (the last hours of the day).

Important Notes:-

1.Aallap – Taap start with slow ni in multani raag frequently. Like Ni Sa Ma(t)Ga(k) Ma(t)Pa.

2.This is play in all tree octaves equally.

3.By purifying rishabh and dhevat of multani, madhuvanti raag is created.

Important swar combination:-

1.      .Ni Sa Ma(t)Ga(k) Re(k) Sa.

2.      .Ni Sa Ma(t)Ga(k) Ma(t)Pa.

3.      Pa, Ma(t)Ga(k) Ma(t)– Ga(k) Re(k) Sa.

4.      Ga(k) Ma(t)Pa Ni – Dha(k)Pa.

Swar of nyas – Sa, Ga(k), Pa and Ni.

Isotype raag – Todi.

Raag multani – .Ni Sa Ma(t)Ga(k) Ma(t)Pa, Ma(t)Ga(k) Ma(t)Ga(k) – Re(k) Sa.

Raag tori – Sa Re(k) Ga(k), Ma(t)Ga(k) – Re(k) Ga(k) – Re(k) Sa.

Multani raag question answer –

What are the Aaroh, Avaroh & Pakad of Multani raag?

Aaroh – .Ni Sa, Ma(t)Ga(k) Ma(t)Pa, Ni Sa*.
Avaroh – Sa* Ni Dha(k) Pa, Ma(t)Ga(k), Re(k) Sa.
Pakad – .Ni Sa Ma(t)Ga(k) – Ma(t)Pa, Ma(t)Ga(k) Ma(t)– Ga(k) Re(k) Sa.

What is the singing time of Multani raag?

Singing time -3 pm to 6 pm (the last hours of the day).

Which swars are used in Multani raag?

Aaroh – .Ni Sa, Ma(t)Ga(k) Ma(t)Pa, Ni Sa*.
Avaroh – Sa* Ni Dha(k) Pa, Ma(t)Ga(k), Re(k) Sa.
Pakad – .Ni Sa Ma(t)Ga(k) – Ma(t)Pa, Ma(t)Ga(k) Ma(t)– Ga(k) Re(k) Sa.

What is the Thaat of Multani raag?

Thaat – Todi thaat

What are the Vadi- Samvadi Swar of Multani raag?

Vadi – Samvadi swar – Pa Sa

What is the introduction of Multani raag?

Multani raag is believed to have originated from Todi thaat. In this raag Ga(k) Dha(k) & Re(k) are used as komal swar and Ma(t)is used as tiwra .Re & Dha are not used in aaroh and all the seven swars are used in the avaroh. Its jati is Audav -Sampurn. In this raag Pa & Sa are Vadi & Samvadi swar .The singing time of this raag is 3 pm to 6 pm (the last hours of the day).