Malkauns Raag is believed to have originated from bhairavi thaat. Rishabh and pancham are not used in Malkauns Raag. Its jati is Audav – Audav. In this raag Ma & Sa are Vadi & Samvadi swar .The singing time of this raag is 12 Am to 3 Am. Gandhar, dhaivat and nishad all the three swar komal in this raag.
Malkauns Raag
Description of raag :-
Aaroh – Sa Ga(k)Ma, Dha(k) Ni(k) Sa*
Avaroh – Sa* Ni Dha(k)Ma, Ga(k) Ma Ga(k) Sa.
Pakad- .Dha(k).Ni(k) Sa Ma,Ga(k) Ma Ga(k) Sa.
Thaat- Bhairavi thaat
Varjit swar – Re and Pa.
Vadi – Samvadi swar – Ma & Sa
Jati- Audav – Audav
Singing time -12 Am to 3 Am
Important Notes:-
1. Some people say it Malkansh and some Malkaunsh. Actually both of these make sense of the same raag.
2.  This is play in all three octaves equally.
3. Thumri is not sang in this. Bda khyal, chhota khyal, dhrupad, dhamar, tarana, masitkhani gat, rajakhani gat all play in this.
4. Raag chandrakaush is generated if we do Ni shudh.
5. At sang time the first wire of Taapura is match with first octave due to taboo of pancham.
6.  This is meend pradhan raag due to serious and silent nature.
Swar of nyas- Sa, Ga(k) and Ma.
Isotype raag – chandrakaush
Important swar combination:-
1. .Dha(k).Ni(k) Sa Ma, .Ga(k)Ma Ga(k) Sa.
2.Ma Ga(k), Ma Ga Sa.
3.Ga Ma Dha(k)Ni(k) Sa*.
4.Sa*Ni(k)Dha(k)Ni(k)Dha(k)Ma.
Bandish
Sthai –
Koyliya Bole Ambuya Ki Daar Par
Ritu Vasant Ko Det Sandeshwa
Stanza –
Nav Kaliyan Par Gunjat bhavra
Unke sang (k) karat rang(k) raliya
Yahi vasant ko det Sandeshwa
Notation
ku ya Li Ya / Bo Le A Bu / Aa- Ki Da / Ra Pa Ra –
Sa* Sa* Ni(k) Sa* / Dha(k) Ma Dha(k) Ni(k) Sa* – Ni(k) Sa* / Dha(k) Ma Ma –
Ri Tu Ba San / – T ko – / De – T San / De Sh Wa –
Ga(k) Ga(k) Ma Dha(k) Ni(k) / Sa* Ni(k) Sa* – / Ma Ga(k) Ma Dha(k) / Ma Ga(k) Sa –
Antara –
Na V Ka Li / ya Pa R / Gun –Ja T / Bha V Ra –
Ga(k) Ga(k) Ma Ma / Dha(k) Dha(k) Ni(k) Ni(k) / Sa* – Sa* Sa* / Ga(k) * (Sa*) Ni(k) Sa* –
Un Ke – / San – Ga(k) Ka / Ra T Ran Ga(k) / Ra Li Ya –
Ni(k) Ni(k) Ni(k) – / Sa* – Sa* Sa* / (Ni)Dha(k) Dha(k) Ni(k) Sa* / Ni(k) Dha(k) Ma Ma –
Ya Hi Ba San / – Ta ko – / De – T San / De Sh Wa –
Ga(k) Ga(k) Ma Dha(k) Ni(k) / Sa* Ni(k) Sa* – / Ma Ga(k) Ma Dha(k) / Ma Ga(k) Sa – Matras Alap
Koyliya Bole Ambuya Ki Daar Par
Sa – – – / .Dha(k) .Ni(k) Sa – / .Dha(k) .Ni(k) Sa Ga(k) / Ma Ga(k) Sa –
Koyliya Bole Ambuya Ki Daar Par
Sa Ga(k) Ma – / Ga(k) Ma Ga(k) Sa / .Ni(k) Sa .Dha(k) .Ni(k) / Sa – – –
Koyliya Bole Ambuya Ki Daar Par
Ga(k) Ma Dha(k) Ma / Ga(k) Ma Ga(k) Sa / .Ni(k) Sa .Dha(k) .Ni(k) / Sa – – –
Koyliya Bole Ambuya Ki Daar Par
Ga(k) Ma Dha(k) – / Dha(k) – Ma – / Ga(k) Ma Ga(k) Sa / .Ni(k) Sa – –
Koyliya Bole Ambuya Ki Daar Par
Ga(k) Ma Dha(k) Ni(k) / Dha(k) – Ma – / Ga(k) Ma Ga(k) Sa / Ni(k) Sa – –
Koyliya Bole Ambuya Ki Daar Par
Ga(k) Ma Dha(k) Ni(k) / Sa* – Ni(k) Sa* / Sa* Ni(k) Dha(k) Ma / Ga(k) Ma Ga(k) Sa
Koyliya Bole Ambuya Ki Daar Par
Sa Ga(k) Ma – / Ga(k) – Sa – / .Dha(k) .Ni(k) Sa Ga(k) / Sa – – –
Koyliya Bole Ambuya Ki Daar Par
Sa Ga(k) Ma – / Ga(k) Ma Dha(k) – / Ma Dha(k) Ni(k) – / Dha(k) Ni(k) Sa* –
Nav Kaliyan Par Gunjat bhavra
Sa* – – – / Sa* Ni(k) Dha(k) Ma / Ga(k) Ma Ga(k) Sa / Ga(k) Ma Dha(k)Ni(k) Sa* Ga(k)* Sa* –
Nav Kaliyan Par Gunjat bhavra
Sa* – – – / Dha(k) Ni(k) Sa* – / Dha(k) Ni(k) Sa* Ga(k)* / Ma Ga(k)* Sa* –
16 Matras Taan
Koyliya Bole Ambuya Ki Daar Par
SaGa(k) Ma Ma Ga(k)Ma Dha(k)Dha(k) / MaDha(k) Ni(k) Ni(k) Dha(k) Ni(k) Sa* Sa*
Sa* Ni(k) Dha(k)Dha(k) Ni(k) Dha(k) MaMa / Ga(k)Ma Dha(k) Ma Ga(k) Ma Ga(k)Sa
Koyliya Bole Ambuya Ki Daar Par SaGa(k) SaGa(k) MaGa(k) MaGa(k) / Ga(k)Ma Ga(k) Ma Dha(k) Ma Dha(k) Ma /
MaDha(k) MaDha(k) Ni(k) Dha(k) Ni(k) Dha(k) / Sa* Ni(k) Dha(k) Ma Ga(k) Ma Ga(k)Sa
Koyliya Bole Ambuya Ki Daar Par
SaSa Ga(k) Ga(k) MaMa Dha(k) Dha(k) / Ga(k) Ga(k) MaMa Dha(k) Dha(k) Ni(k) Ni(k)
MaMa Dha(k) Dha(k) Ni(k) Ni(k) Sa* Sa* / Sa* Ga(k)* Sa* Ni(k) Dha(k)Ma Ga(k) Sa
Koyliya Bole Ambuya Ki Daar Par
SaGa(k) MaSa Ga(k) Ma SaGa(k) / Ga(k) Ma Dha(k) Ga(k) MaDha(k) Ga(k) Ma
MaDha(k) Ni(k) Ma Dha(k) Ni(k) MaDha(k) / Sa* Ni(k) Dha(k)Ma Ga(k)Ma Ga(k) Sa
Koyliya Bole Ambuya Ki Daar Par
Ga(k) Ma Dha(k) Ma Ga(k) Ma Dha(k) Ni(k) / Dha(k) Ma Ga(k) Ma Dha(k) Ni(k) Sa* Ni(k)
Dha(k)Ma Ga(k) Ma Dha(k) Ni(k) Sa* Ga(k)* Sa* – / Sa* Ni(k) Dha(k)Ma Ga(k) Ma Ga(k) Sa
Koyliya Bole Ambuya Ki Daar Par
Malkauns Raag question answer –
What are the Aaroh, Avaroh & Pakad of Malkauns Raag?
Aaroh – Sa Ga(k)Ma, Dha(k) Ni(k) Sa*
Avaroh – Sa* Ni Dha(k)Ma, Ga(k) Ma Ga(k) Sa.
Pakad- Dha(k)Ni(k) Sa Ma,Ga(k) Ma Ga(k) Sa.
What is the Jati of Malkauns Raag?
Jati- Audav – Audav
What is the singing time of Malkauns Raag?
Singing time -12 Am to 3 Am
Which notes are used in Malkauns Raag?
Aaroh – Sa Ga(k)Ma, Dha(k) Ni(k) Sa*
Avaroh – Sa* Ni Dha(k)Ma, Ga(k) Ma Ga(k) Sa.
Pakad- Dha(k)Ni(k) Sa Ma,Ga(k) Ma Ga(k) Sa.
What is the Thaat of Malkauns Raag?
Thaat- Bhairavi thaat
What are the Vadi- Samvadi Swar of Malkauns Raag?
Vadi – Samvadi swar – Ma & Sa
What is the introduction of Malkauns Raag?
Malkauns Raag is believed to have originated from bhairavi thaat. rishabh and pancham are not used in Malkauns Raag. Its jati is Audav – Audav. In this raag Ma & Sa are Vadi & Samvadi swar .The singing time of this raag is 12 Am to 3 Am. gandhar, dhaivat and nishad all the three swar komal in this raag.