Malkauns Raag Bandish 16 Matras Allap Taan Music Notes In English

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Malkauns Raag
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Malkauns Raag is believed to have originated from bhairavi thaat. Rishabh and pancham are not used in Malkauns Raag. Its jati is Audav – Audav. In this raag Ma & Sa are Vadi & Samvadi swar .The singing time of this raag is 12 Am to 3 Am. Gandhar, dhaivat and nishad all the three swar komal in this raag.

Malkauns Raag

Description of raag :-

Aaroh – Sa Ga(k)Ma, Dha(k) Ni(k) Sa*

Avaroh – Sa* Ni Dha(k)Ma, Ga(k) Ma Ga(k) Sa.

Pakad- .Dha(k).Ni(k) Sa Ma,Ga(k) Ma Ga(k) Sa.

Thaat- Bhairavi thaat

Varjit swar – Re and Pa.

Vadi – Samvadi swar – Ma & Sa

Jati- Audav – Audav

Singing time -12 Am to 3 Am

Important Notes:-

1. Some people say it Malkansh and some Malkaunsh. Actually both of these make sense of the same raag.

2.  This is play in all three octaves equally.

3. Thumri is not sang in this. Bda khyal, chhota khyal, dhrupad, dhamar, tarana, masitkhani gat, rajakhani gat all play in this.

4. Raag chandrakaush is generated if we do Ni shudh.

5.  At sang time the first wire of Taapura is match with first octave due to taboo of pancham.

6.  This is meend pradhan raag due to serious and silent nature.

Swar of nyas- Sa, Ga(k) and Ma.

Isotype raag – chandrakaush

Important swar combination:-

1. .Dha(k).Ni(k) Sa Ma, .Ga(k)Ma Ga(k) Sa.

2.Ma Ga(k), Ma Ga Sa.

3.Ga Ma Dha(k)Ni(k) Sa*.

4.Sa*Ni(k)Dha(k)Ni(k)Dha(k)Ma.

Bandish

Sthai –

Koyliya Bole Ambuya Ki Daar Par

Ritu Vasant Ko Det Sandeshwa

Stanza –

Nav Kaliyan Par Gunjat bhavra

Unke sang (k) karat rang(k) raliya

Yahi vasant ko det Sandeshwa

Notation

ku  ya  Li Ya /  Bo Le  A Bu / Aa- Ki Da / Ra Pa Ra –

Sa*   Sa*   Ni(k) Sa*  / Dha(k) Ma Dha(k) Ni(k) Sa*  â€“ Ni(k) Sa*  / Dha(k) Ma Ma –

Ri Tu  Ba  San / –  T  ko –  / De  –  T  San / De  Sh  Wa  –

Ga(k)  Ga(k) Ma Dha(k) Ni(k) / Sa*  Ni(k) Sa*  – / Ma  Ga(k)  Ma  Dha(k) / Ma Ga(k) Sa –

Antara –

Na  V  Ka Li  / ya Pa R  /  Gun  –Ja T  / Bha  V  Ra  –

Ga(k)  Ga(k)  Ma  Ma / Dha(k)  Dha(k) Ni(k) Ni(k) / Sa*  â€“ Sa*  Sa*  / Ga(k) * (Sa*) Ni(k) Sa*  

Un   Ke  – / San  – Ga(k) Ka / Ra  T Ran  Ga(k) Ra Li  Ya –

Ni(k) Ni(k) Ni(k) – / Sa*  â€“ Sa*  Sa*   / (Ni)Dha(k)  Dha(k) Ni(k) Sa*  / Ni(k) Dha(k) Ma Ma –

Ya  Hi Ba  San  / – Ta ko  –  / De  – T  San  / De  Sh  Wa  –

Ga(k)  Ga(k) Ma Dha(k) Ni(k) / Sa*  Ni(k) Sa*  – / Ma  Ga(k)  Ma  Dha(k) / Ma Ga(k) Sa – Matras Alap

Koyliya Bole Ambuya Ki Daar Par

Sa – – – / .Dha(k) .Ni(k) Sa – / .Dha(k) .Ni(k) Sa Ga(k) / Ma Ga(k) Sa –

Koyliya Bole Ambuya Ki Daar Par

Sa Ga(k) Ma – / Ga(k) Ma Ga(k) Sa / .Ni(k) Sa .Dha(k) .Ni(k) / Sa – – –

Koyliya Bole Ambuya Ki Daar Par

Ga(k) Ma Dha(k) Ma / Ga(k) Ma Ga(k) Sa / .Ni(k) Sa .Dha(k) .Ni(k) / Sa – – –

Koyliya Bole Ambuya Ki Daar Par

Ga(k) Ma Dha(k) – / Dha(k) – Ma – / Ga(k) Ma Ga(k) Sa / .Ni(k) Sa – –

Koyliya Bole Ambuya Ki Daar Par

Ga(k) Ma Dha(k) Ni(k) / Dha(k) – Ma – / Ga(k) Ma Ga(k) Sa / Ni(k) Sa – –

Koyliya Bole Ambuya Ki Daar Par

Ga(k) Ma Dha(k) Ni(k) / Sa*  â€“ Ni(k) Sa*  / Sa*  Ni(k) Dha(k) Ma / Ga(k) Ma Ga(k) Sa

Koyliya Bole Ambuya Ki Daar Par

Sa Ga(k) Ma – / Ga(k) – Sa – / .Dha(k) .Ni(k) Sa Ga(k) / Sa – – –

Koyliya Bole Ambuya Ki Daar Par

Sa Ga(k) Ma – / Ga(k) Ma Dha(k) – / Ma Dha(k) Ni(k) – / Dha(k) Ni(k) Sa*  – 

Nav Kaliyan Par Gunjat bhavra

Sa*  – – – / Sa*  Ni(k) Dha(k) Ma / Ga(k) Ma Ga(k) Sa / Ga(k) Ma Dha(k)Ni(k) Sa* Ga(k)* Sa* –

Nav Kaliyan Par Gunjat bhavra

Sa*  – – – / Dha(k) Ni(k) Sa*  – / Dha(k) Ni(k) Sa*  Ga(k)* / Ma Ga(k)* Sa*  –

16 Matras Taan

Koyliya Bole Ambuya Ki Daar Par

SaGa(k) Ma Ma Ga(k)Ma Dha(k)Dha(k) / MaDha(k) Ni(k) Ni(k) Dha(k) Ni(k) Sa* Sa*  

 Sa* Ni(k) Dha(k)Dha(k) Ni(k) Dha(k) MaMa / Ga(k)Ma Dha(k) Ma Ga(k) Ma Ga(k)Sa

Koyliya Bole Ambuya Ki Daar Par SaGa(k) SaGa(k) MaGa(k) MaGa(k) / Ga(k)Ma Ga(k) Ma Dha(k) Ma Dha(k) Ma /

MaDha(k) MaDha(k) Ni(k) Dha(k) Ni(k) Dha(k) / Sa* Ni(k) Dha(k) Ma Ga(k) Ma Ga(k)Sa

Koyliya Bole Ambuya Ki Daar Par

SaSa Ga(k) Ga(k) MaMa Dha(k) Dha(k) / Ga(k) Ga(k) MaMa Dha(k) Dha(k) Ni(k) Ni(k)

 MaMa Dha(k) Dha(k) Ni(k) Ni(k) Sa* Sa*  / Sa* Ga(k)* Sa* Ni(k) Dha(k)Ma Ga(k) Sa

Koyliya Bole Ambuya Ki Daar Par

SaGa(k) MaSa Ga(k) Ma SaGa(k) / Ga(k) Ma Dha(k)  Ga(k) MaDha(k) Ga(k) Ma

MaDha(k) Ni(k) Ma Dha(k) Ni(k) MaDha(k) / Sa* Ni(k) Dha(k)Ma Ga(k)Ma Ga(k) Sa

Koyliya Bole Ambuya Ki Daar Par

Ga(k) Ma Dha(k) Ma Ga(k) Ma Dha(k) Ni(k) / Dha(k) Ma Ga(k) Ma Dha(k) Ni(k) Sa* Ni(k)

 Dha(k)Ma Ga(k) Ma Dha(k) Ni(k) Sa* Ga(k)* Sa* – / Sa* Ni(k) Dha(k)Ma Ga(k) Ma Ga(k) Sa

Koyliya Bole Ambuya Ki Daar Par

Malkauns Raag question answer –

What are the Aaroh, Avaroh & Pakad of Malkauns Raag?

Aaroh – Sa Ga(k)Ma, Dha(k) Ni(k) Sa*
Avaroh – Sa* Ni Dha(k)Ma, Ga(k) Ma Ga(k) Sa.
Pakad- Dha(k)Ni(k) Sa Ma,Ga(k) Ma Ga(k) Sa.

What is the Jati of Malkauns Raag?

Jati- Audav – Audav

What is the singing time of Malkauns Raag?

Singing time -12 Am to 3 Am

Which notes are used in Malkauns Raag?

Aaroh – Sa Ga(k)Ma, Dha(k) Ni(k) Sa*
Avaroh – Sa* Ni Dha(k)Ma, Ga(k) Ma Ga(k) Sa.
Pakad- Dha(k)Ni(k) Sa Ma,Ga(k) Ma Ga(k) Sa.

What is the Thaat of Malkauns Raag?

Thaat- Bhairavi thaat

What are the Vadi- Samvadi Swar of Malkauns Raag?

Vadi – Samvadi swar – Ma & Sa

What is the introduction of Malkauns Raag?

Malkauns Raag is believed to have originated from bhairavi thaat. rishabh and pancham are not used in Malkauns Raag. Its jati is Audav – Audav. In this raag Ma & Sa are Vadi & Samvadi swar .The singing time of this raag is 12 Am to 3 Am. gandhar, dhaivat and nishad all the three swar komal in this raag.