Kamod Raag Bandish 16 Matras Allap Taan Music Notes In English

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Kamod Raag
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Kamod raag is believed to have originated from Kalyan thaat. All the swars are used as shudha except for the both Madhayam. Its jati is Wakra -Sampurn. In this raag Pa & Re are Vadi & Samvadi swar .The singing time of this raag is 6 pm to 9 pm(the first part of the night).

Kamod Raag

How To Read Sargam Notes –

  • “.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
  • “*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
  • “(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
  • Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
  • “-” is used for Holdong the notes according to the Song.
  • Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
  • Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
  • Swars written [ Ni(k)  Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
  • { NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .

Description of raag Kamod:-

Aaroh-  Sa, Ga Ma MaRe Sa, Re – Pa, Ma(t) Pa, Dha Pa Ni Dha Sa*.

Avaroh- Sa* Ni Dha Pa, Ma(t) Pa Dha Pa, Ga Ma Pa Ga Ma Re Sa.

Pakad:- MaRe Pa, Ma(t) Pa, Dha Pa, Ga Ma Pa Ga Ma Re Sa.

 Thaat- Kalyan thaat

 Vadi- Samvadi swar- Pa and Re

 Jati- Wakra -Sampurn

Singing time – 6 pm to 9 pm(the first part of the night).

Important notes:-

1.It has lots of association of Re Pa. While goes from Rishabh to Pancham firstly coming from Ma to Re With tremors of meend and then goes to pancham. As Sa  MaRe – Pa. It’s remain the association of Re Pe is not be in this.

2.Sometimes komal Ni are used in avaroh to increase fairness of raag similar in Hamir and Kedar. As Sa* Dha Ni Pa. Shudh Ni are use less in this raag.

3.Twira Ma are use less with Pancham in aaroh and Shudh Ma are used in both aaroh and avaroh.

4.Gandhar is never used flat. As Re Ga Ma Pa Dha Ni Sa*. Rather it’s used as Wakra swar. As Ga Ma Pa Ga Ma Re Sa.

Swar of nyas- Sa, Re and Pa.

Similar Raag- Hameer and Kedar.

Raag Hameer- Ga Ma NiDha – Ni Sa*, Ni Dha Pa, Ma(t) Pa Dha Pa, Ga Ma Re.

Raag Kedar- Sa Re Sa, Ma – Ma Pa, Ma(t) Pa Dha  Pa Ma, Pa Ma – Re Sa.

Raag Kamod- Sa MaRe Pa, Ma(t) Pa Dha Pa, Ga Ma Pa – Ga Ma Re Sa.

Important swar combination:-

1.     Sa MaRe – Pa.

2.     Ga Ma Pa, Ga Ma Re Sa, MaRe Pa.

3.     Re Pa, Ma(t) Pa, Dha pa.

4.     Pa Pa Sa*, Re* Sa*, Dha – Pa.

Kamod raag question answer –

What are the Aaroh, Avaroh & Pakad of Kamod raag ?

Aaroh-  Sa, Ga Ma MaRe Sa, Re – Pa, Ma(t) Pa, Dha Pa Ni Dha Sa*.
Avaroh- Sa* Ni Dha Pa, Ma(t) Pa Dha Pa, Ga Ma Pa Ga Ma Re Sa.
Pakad:- MaRe Pa, Ma(t) Pa, Dha Pa, Ga Ma Pa Ga Ma Re Sa.

What is the Jati of Kamod raag?

Jati- Wakra -Sampurn

What is the singing time of Kamod raag?

Singing time – 6 pm to 9 pm(the first part of the night).

Which swars are used in Kamod raag?

Aaroh – Sa,.Ni Re Ga Ma(t) Ni Re(k)* Sa*.
Avaroh – Re(k)*.Ni, Ma(t) Dha Ga Ma Ga, Re Sa.
Pakad – Ga Ma(t) Dha Ga Ma(t) Ga, Ma(t) Re Ga, Re(k) Sa, .Ni .Dha .Ni – Re Sa.

What is the Thaat of Kamod raag ?

Thaat- Kalyan thaat

What is the introduction of Kamod raag?

Kamod raag is believed to have originated from Kalyan thaat. All the swars are used as shudha except for the both Madhayam. Its jati is Wakra -Sampurn. In this raag Pa & Re are Vadi & Samvadi swar .The singing time of this raag is 6 pm to 9 pm(the first part of the night).