Chandrakauns Raag Bandish 16 Matras Allap Taan Music Notes In English

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Chandrakauns Raag
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Chandrakauns Raag is believed to have originated from Bhairavi thaat. In this raag  gandhara and dhaivat are used as komal swar . Re and Pa swar are completely forbidden, so its jati is Audav-Audav. In this raag Ma & Sa are Vadi & Samvadi swar .The singing time of this raag is midnight.

Chandrakauns Raag

How To Read Sargam Notes –

  • “.” is used for Mandra saptak(Lower octave notes) swars.eg- .Pa
  • “*” is user for Taar Saptak (Higher Octave notes) Swars eg – Pa*
  • “(k)” small character is used for komal swars.eg – ( Re(k) , Ga(k) , Dha(k) , Ni(k) )
  • Ma(t) here “(t)” is used for showing teevra swar Ma(t) .
  • “-” is used for Holdong the notes according to the Song.
  • Swars written “ReGa” in this manner means they are playing fast or two swars on one beat.
  • Ma(Ga) or (Ga)Ma Here Ga is Kan Swar or Sparsh Swar and Ma is Mool Swar. (You Can skip the kan swar if not understand how to play)
  • Swars written [ Ni(k)  Pa ] in this manner they are playing or singing in sliding mode means Meend acc to Indian music .
  • { NiSa*Re*Sa* Ni } here this braket {} is used for showing Khatka in which swars are playing fast .

Description of raag:-

Aaroh-  Sa Ga(k)Ma, Dha(k) Ni Sa*.

Avaroh – Sa* Ni Dha(k) Ma, Ga(k) Ma Ga(k) Sa.

Pakad – Ga(k) Ma Ga(k) Sa, Ni Sa.

Thaat- Bhairavi thaat

Varjit swar – Re and Pa.

Vadi – Samvad swar – Ma and Sa.

Jati – Audav-Audav

Singing time – Midnight

Important Notes;-

1.This is also modern raag like madhuvanti. This is generated from malkaunsh raag.

2.Actually this is not come in any thaat. There are many high level raag as- ahir bhairav, anand bhairav, madhuwanti, chandrakaus etc. Which is not come in 10 thaat.

3.This is play equally in all three octaves and blooms in all three octaves.

4.Bada khyal, chhota khyal, tarana etc sing in this. Thumri is not sang in this.

5.While singing it, there is a need to use Shuddha Nishad in between, in this Chandrakauns  is established on one side and Malkosh is avoided on the other side.

6. The pratha of using Shuddha Rishabh sometimes in Tar Saptak is in this raag.

Swar of nyas – Dha(k), Ma and Ni.

Isotype raag-  Malkaunsh

Chandrakauns Raag question answer –

What are the Aaroh, Avaroh & Pakad of Chandrakauns Raag?

Aaroh-  Sa Ga(k)Ma, Dha(k) Ni Sa*.
Avaroh – Sa* Ni Dha(k) Ma, Ga(k) Ma Ga(k) Sa.
Pakad – Ga(k) Ma Ga(k) Sa, Ni Sa.


What is the Jati of Chandrakauns Raag?

Jati – Audav-Audav

What is the singing time of Chandrakauns Raag?

Singing time – Midnight

Which notes are used Chandrakauns Raag?

Aaroh-  Sa Ga(k)Ma, Dha(k) Ni Sa*.
Avaroh – Sa* Ni Dha(k) Ma, Ga(k) Ma Ga(k) Sa.
Pakad – Ga(k) Ma Ga(k) Sa, Ni Sa.

What is the Thaat of Chandrakauns Raag?

Thaat- Bhairavi thaat

What are the Vadi- Samvadi Swar of Chandrakauns Raag?

Vadi – Samvad swar – Ma and Sa.

What is the introduction of Chandrakauns Raag?

Chandrakauns Raag is believed to have originated from Bhairavi thaat. In this raag  gandhara and dhaivat are used as komal swar . Re and Pa swar are completely forbidden, so its jati is Audav-Audav. In this raag Ma & Sa are Vadi & Samvadi swar .The singing time of this raag is midnight.